Coughing and clapping : Investigating audience experience / edited by Karen Burland and Stephanie Pitts.
Contributor(s): Burland, Karen | Pitts, Stephanie.
Material type: BookSeries: SEMPRE studies in the psychology of music: Publisher: Farnham : Ashgate Publishing Ltd, 2014Description: xxii, 203 p. : ill. ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeSubject(s): Concerts -- Psychological aspects | Music audiencesDDC classification: 780.78Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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General Lending | MTU Cork School of Music Library Lending | 780.78 (Browse shelf(Opens below)) | 1 | Available | 00166102 |
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Includes bibliographical references and index.
Prelude -- Section 1: Before the event: preparing and anticipating --Marketing live music -- Musical, social and moral dilemmas: investigating audience motivations to attend concerts -- Safe and sound: audience experience in new venues for popular music performance -- Section 2: During the event -- Interlude: audience members as researchers -- The value of 'being there': how the live experience measures quality for the audience -- In the heat of the moment: audience real-time response to music and dance performance -- Texting and tweeting at live music concerts: flow, fandom and connecting with other audiences through mobile phone technology -- Moving the gong: exploring the contexts of improvisation and composition -- Context, cohesion and community:characteristics of festival audience members' strong experiences with music -- Interlude -- lasting memories of ephemeral events -- 'The gigs I've gone to': mapping memories and places of live music -- Warts and all: recording the live music experience -- Staying behind: explorations in post-performance musician-audience dialogue -- Postlude.
This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question.