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008			140827s2015 enka b 001 ||eng||
010			_a 2014949679
015			_aGBB544863 _2bnb
020			_a9780500204238 (paperback)
020			_a0500204233 (paperback)
029			_aV71758
035			_a(OCoLC)ocn905097695
040			_aNz _beng _cNZROP _erda _dOCLCO _dSMI _dOCLCO _dYDXCP _dNHM _dYNK _dOCLCF _dUBY _dWVU _dDHA _dNLE _dZQP _dOCLCQ _dZLM _dSINLB _dDLC
042			_alccopycat
082	0	4	_a776 _223
100	1		_aPaul, Christiane _eauthor _919960
245	1	0	_aDigital art / _cChristiane Paul.
250			_aThird edition.
264		1	_aLondon : _bThames & Hudson, _c2015.
300			_a272 pages : _billustrations (some colour) ; _c21 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aWorld of art
500			_aPrevious edition: 2008.
504			_aIncludes bibliographical references (pages 264-265) and index.
505	0		_aIntroduction : A short history of technology and art ; The presentation, collection, and preservation of digital art -- 1. Digital technologies as a tool : Digital imaging: photography and print ; Sculpture -- 2. Digital technologies as a medium : Forms of digital art ; Installation ; Film, video, and animation ; Internet art and networked art ; Software art ; Virtual reality ; Sound and music -- 3. Themes in digital art : Artificial life ; Artificial intelligence ; Telepresence and telerobotics ; Body and identity ; Database aesthetics and data visualization ; Beyond the book: narrative environments ; Gaming ; Tactical media, activism, and hacktivism ; Technologies of the future ; Redefining public space: locative media and public interactives ; Augmenting the real: Augmented reality and mixed reality ; Social media and the Web 2.0 era -- Glossary -- Artists' websites and online art projects -- Digital arts organizations and networks, museums, and galleries -- Digital art festivals -- Select new media art exhibitions.
520			_aDigital technology has revolutionized the way we produce and experience art today. Not only have traditional forms of art such as printing, painting, photography and sculpture been transformed by digital techniques and media, but entirely new forms such as internet art, software art, digital installation and virtual reality have emerged as recognized artistic practices. Christiane Paul surveys the developments in digital art from its appearance in the 1980s to the present day and looks ahead to what the future may hold. Drawing a distinction between work that uses digital technology as a tool to produce traditional forms and work that uses it as a medium to create new types of art, she discusses the key artists and works. The book explores themes addressed and raised by these artworks, such as viewer interaction, artificial life and intelligence, political and social activism, networks and telepresence, and issues surrounding the collection, presentation and preservation of digital art. This third, expanded edition investigates key areas of digital art practice that have gained in prominence in recent years, including the emergence and impact of locative media, interactive public installation, augmentive and mixed reality, social networking, and file-sharing and tablet technologies.
650		0	_aComputer art _935655
650		0	_aNew media art. _9101002
650		0	_aArt and technology _934200
830		0	_aWorld of art _929612
906			_a7 _bcbc _ccopycat _d2 _eepcn _f20 _gy-gencatlg
942			_2ddc