MTU Cork Library Catalogue

Syndetics cover image
Image from Syndetics

The subversive stitch : embroidery and the making of the feminine / Rozsika Parker.

By: Parker, Rozsika.
Material type: materialTypeLabelBookPublisher: London ; New York : I. B. Taurisr, 2010Edition: New ed.Description: xxii, 247 p. : ill. ; 24 cm. + pbk.ISBN: 9781848852839; 1848852835 .Subject(s): Embroidery -- History | Women in art | FemininityDDC classification: 746.44082
Contents:
1 The Creation of Femininity -- 2 Eternalising the Feminine -- 3 Fertility, Chastity and Power -- 4 The Domestication of Embroidery -- 5 The Inculcation of Femininity -- 6 From Milkmaids to Mothers -- 7 Femininity as Feeling -- 8 A Naturally Revolutionary Art?
Summary: The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.--pub. desc.
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 746.44082 (Browse shelf(Opens below)) 1 Checked out 19/02/2024 00195392
General Lending MTU Crawford College of Art and Design Library Lending 746.44082 (Browse shelf(Opens below)) 1 Available 00195401
Total holds: 0

Enhanced descriptions from Syndetics:

Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements. "The Subversive Stitch" is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.

Previous ed.: London: Women's Press, 1996.

Includes bibliographical references (p. 233-239) and index.

1 The Creation of Femininity -- 2 Eternalising the Feminine -- 3 Fertility, Chastity and Power -- 4 The Domestication of Embroidery -- 5 The Inculcation of Femininity -- 6 From Milkmaids to Mothers -- 7 Femininity as Feeling -- 8 A Naturally Revolutionary Art?

The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.--pub. desc.

Table of contents provided by Syndetics

  • Victoria and Albert Museum Image Credits (p. vi)
  • Acknowledgements (p. viii)
  • Foreword (p. ix)
  • Introduction (p. xi)
  • 1 The Creation of Femininity (p. 1)
  • 2 Eternalising the Feminine (p. 17)
  • 3 Fertility, Chastity and Power (p. 40)
  • 4 The Domestication of Embroidery (p. 60)
  • 5 The Inculcation of Femininity (p. 82)
  • 6 From Milkmaids to Mothers (p. 110)
  • 7 Femininity as Feeling (p. 147)
  • 8 A Naturally Revolutionary Art? (p. 189)
  • Notes (p. 216)
  • Bibliography (p. 233)
  • Glossary (p. 240)
  • Index (p. 242)

Author notes provided by Syndetics

Rozsika Parker has published widely in Art History and Psychoanalysis. Her books include Old Mistresses: Women, Art and Ideology and Framing Feminism: Art and the Women's Movement 1970-1985 (both written with Griselda Pollock) and Torn in Two: The Experience of Material Ambivalence. Her latest book is The Anxious Gardener. She now practices as a psychotherapist in London.

Powered by Koha