MTU Cork Library Catalogue

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Flowers / Robert Mapplethorpe ; foreword by Patti Smith.

By: Mapplethorpe, Robert.
Material type: materialTypeLabelBookPublisher: Boston : Bulfinch, 1990Description: 49 leaves : all col. ill. ; 32 cm. + hbk.ISBN: 082121781X.Subject(s): Mapplethorpe, Robert | Photography of plants | Flowers -- Pictorial worksDDC classification: 779.092 MAP
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 779.092 MAP (Browse shelf(Opens below)) 1 Available 00088208
Total holds: 0

Enhanced descriptions from Syndetics:

A collection of the acclaimed photographer's flower images features pieces from his final years.

Reviews provided by Syndetics

Library Journal Review

Patti Smith's foreword, ``A Final Flower,'' is a poetic tribute to the late photographer whose recent retrospective exhibition sparked a national legal debate over censorship in the arts. Smith's observation that Mapplethorpe embraced ``the flower as the embodiment of all the contradictions reveling within,'' and in these photographs ``found it was as easy to hurl beauty as anything else,'' enlarges this work in a meaningful way. The 50 color photographs of flowers taken over the past decade ``by one who caused a modern shudder'' are surprisingly conventional yet uniquely striking in their composition and lighting; Smith attributes their power to Mapplethorpe's ``unflinching perception of the color, form and personality of the flower.'' The book's simple and sublime presentation--each opening a full-page plate facing a blank--serves to remind us that Mapplethorpe was a masterful photographer, not just an iconoclast.-- Ann Copeland, Champaign, Ill. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

The only sex organs on display in the latest volume of Mapplethorpe's photographs are of a botanical nature--though Jesse Helms might find the calla lilies just a bit too impudently phallic for his conservative taste. And with no nude toddlers, no whip-wielding sadists, and no black genitals, this volume will avoid the controversy that has resulted in the obscenity trial in a Cincinnati court that delivered a "not guilty" verdict. Even though the more notorious Mapplethorpe specialties are absent, these photos magnificently capture the artist's style and technique at its most formal. Particularly as a document of Mapplethorpe's late-period color work from 1987 through 1989, these photographs further confirm an artistic vision that could confront and reveal the eroticism of a single flower or the organic geometry of human figures with equal passion. Singer Patti Smith's brief introduction muses on Mapplethorpe the friend and artist. List of plates. ~--John Brosnahan

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