MTU Cork Library Catalogue

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In the power of painting : a selection from the Daros collection.

Contributor(s): Fischer, Peter, 1956- [editor] | Engblom, Sören [editor] | Müller-Westermann, Iris [editor] | Daros Collection (Art).
Material type: materialTypeLabelBookPublisher: Zurich : Scalo ; Alesco AG, [2000]Description: 142 pages : color illustrations ; 28 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 3908247276 (hardback).Subject(s): Warhol, Andy, 1928-1987 -- Exhibitions | Polke, Sigmar -- Exhibitions | Richter, Gerhard, 1932- -- Exhibitions | Twombly, Cy, 1928-2011 -- Exhibitions | Marden, Brice, 1938- -- Exhibitions | Bleckner, Ross -- Exhibitions | Painting -- 20th centuryDDC classification: 759.06
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 759.06 (Browse shelf(Opens below)) 1 Available 00087837
Total holds: 0

Enhanced descriptions from Syndetics:

Time and again in recent decades, art world denizens have celebrated or mourned the demise and subsequent resurgence of painting. In The Power of Painting invites you to take a look at painting above and beyond the rather tiresome modernist myth of the end of painting It proposes to consider the challenges and problems facing painters in the age of photography not as an omen of painting's eventual final exhaustion, but rather as a source of its lasting vitality In the Power of Painting traces how six seminal postwar artists -- Andy Warhol, Sigmar Polke, Gerhard Richter, Cy Twombly, Brice Marden, and Ross Bleckner -- developed their signature approach to painting in response to the art form's perceived crisis The six groups of works from the Daros collection impressively demonstrate how these painters re-wrote the rules of painting, from their initial experimenting to the canvases that heralded their maturity. A handsome and splendidly reproduced book, indispensable for all those looking for ways out of the restrictions and limitations of modernist and postmodernist approaches to art.

On the occasion of the exhibition at the Moderna Museet, Stockholm, Feb-Mar 2000.

Includes bibliographical references.

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