World view of an oyster : Helen Horgan, Sarah Iremonger, Maximilian Le Cain, Mick O'Shea / texts by Danyel Ferrari.
Material type:
BookPublisher: Cork : Cork County Council Library and Arts Service, 2013Description: 31 p. : illustrations (some color) ; 26 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780955652882.Subject(s): Art, Irish -- 21st century -- Exhibitions | Art -- Ireland -- ExhibitionsDDC classification: 709.415 Summary: In this thought provoking exhibition Sarah with fellow artists Maximilian Le Cain, Helen Horgan and Mick O'Shea set out to create, interrogate and even subvert a set of "artificial" worlds, which ultimately ask us, the viewer, to consider wider ideas of order and meaning in our own worlds. This work is challenging, quirky and original but like the aforementioned mollusc, once you have worked past the outer shell you may, indeed, finds some "pearls" for reflection and enjoyment.' The disruption of the outside world, invited or otherwise, worked over until it becomes something else, is the thread of consistency in all of the distinctly internal practices included in this exhibition.
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Store Item | 709.415 (Browse shelf(Opens below)) | 1 | Available | 00228108 |
Browsing MTU Crawford College of Art and Design Library shelves, Shelving location: Store Item Close shelf browser (Hides shelf browser)
Artists: Helen Horgan, Maximilian LeCain, Sarah Iremonger, Mick O'Shea
'World View of an Oyster' - 5th of July to 2 August 2013, Town Hall Gallery, Macroom, Co. Cork.
'World View of an Oyster' is part of an annual series of summer exhibitions developed by and jointly supported by Cork County Council & Macroom Town Council.
In this thought provoking exhibition Sarah with fellow artists Maximilian Le Cain, Helen Horgan and Mick O'Shea set out to create, interrogate and even subvert a set of "artificial" worlds, which ultimately ask us, the viewer, to consider wider ideas of order and meaning in our own worlds. This work is challenging, quirky and original but like the aforementioned mollusc, once you have worked past the outer shell you may, indeed, finds some "pearls" for reflection and enjoyment.' The disruption of the outside world, invited or otherwise, worked over until it becomes something else, is the thread of consistency in all of the distinctly internal practices included in this exhibition.