Appropriation / edited by David Evans.
Contributor(s): Evans, David [editor.].
Material type: BookSeries: Documents of contemporary art series: Publisher: London : Cambridge, Mass. : Whitechapel ; MIT Press, 2009Description: 238 pages ; 21 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780854881611 (Whitechapel paperback); 0854881611 (Whitechapel paperback); 9780262550703 (MIT Press paperback); 0262550709 (MIT Press paperback).Subject(s): Appropriation (Art) | Art, Modern -- 20th centuryDDC classification: 709.04 EVAItem type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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General Lending | MTU Crawford College of Art and Design Library Lending | 709.04 EVA (Browse shelf(Opens below)) | Available | 00231469 | |||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.04 EVA (Browse shelf(Opens below)) | 1 | Available | 00196085 | ||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.04 EVA (Browse shelf(Opens below)) | 1 | Available | 00196083 | ||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.04 EVA (Browse shelf(Opens below)) | 1 | Available | 00228512 | ||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.04 EVA (Browse shelf(Opens below)) | 1 | Available | 00228513 | ||
3 day loan | MTU Crawford College of Art and Design Library Short Loan | 709.04 EVA (Browse shelf(Opens below)) | 1 | Available | 00196395 |
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709.04 Concepts of modern art : from fauvism to postmodernism / | 709.04 The shock of the new : art and the century of change / | 709.04 BRE Modern art 1851-1929 : capitalism and representation / | 709.04 EVA Appropriation / | 709.04 HAR Primitivism, cubism, abstraction : the early twentieth century / | 709.04012 Art deco style / | 709.04032 Cubism and culture / |
Enhanced descriptions from Syndetics:
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred on New York in the 1980s; this anthology provides a far wider context. Historically, it reappraises a diverse lineage of precedents - from the Dadaist readymade to Situationist détournement - while contemporary 'art after appropriation' is considered from multiple perspectives within a global context. Artists surveyed include: Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler and Philip Taaffe. Writers include: Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol and John C. Welchman.
Includes bibliographical references (pages 231-232) and index.
Precursors -- Agitprop -- The situationist legacy -- Simulation -- Feminist critique -- Postcolonialism -- Postcommunism -- Postproduction -- Appraisals.
"Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred [sic] on New York in the 1980s; this anthology provides a far wider context. Historically, it reappraises a diverse lineage of precedents - from the Dadaist readymade to Situationist det́ournement - while contemporary 'art after appropriation' is considered from multiple perspectives within a global context." - back cover.
CIT Module ARTS 6005 - Core reading