David to Delacroix / Walter Friedlaender ; translated by Robert Goldwater.
By: Friedlaender, Walter F
.
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Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
General Lending | MTU Crawford College of Art and Design Library Lending | 759.4 (Browse shelf(Opens below)) | 1 | Available | 00005755 | ||
General Lending | MTU Crawford College of Art and Design Library Store Item | 759.4 (Browse shelf(Opens below)) | 1 | Available | 00068053 |
Enhanced descriptions from Syndetics:
This renowned study follows the evolution of French painting from the Revolution through the Napoleonic era. Beginning with David's revolutionary classicism, Friedlaender scrutinizes the work of early-nineteenth-century artists against the background of their times. He reveals the baroque tendencies diffused into the art of Prudhon and the same predisposition, mixed with a strong realism, in the work of G#233ricault.Two distinct trends appear, deriving from Pussin and Rubens. The author follows the styles as they mature, and represents their consumation in two great masters-the refined and abstract classicism of Ingres and the baroque of Delacroix with its flamboyant colorism and exotic subjects.
Translation of: Haupströmungen der französichen Malerei van David bis Cezanne ... Band 1 : Von David bis Delacroix. - Bielefeld : Velahagen & Klasing, 1930.
Table of contents provided by Syndetics
- Introduction: The Ethical and Formal Bases of Classicism in French Painting
- 1 Classicism and Minor Trends in the Art of David
- 2 Ultraclassicists and Anticlassicists in the David Following: Geacute;rard, Girodet, Gueacute;rin, Les Primitifs
- 3 Protobaroque Tendencies in the Period of Classicism: Prudhon, Gros
- 4 The Transformation of Classicism in the Art of Ingres
- 5 Early Baroque and Realism in the Art of Gericault
- 6 Romantic High Baroque in the Art of Delacroix