MTU Cork Library Catalogue

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100 ideas that changed art / Michael Bird.

By: Bird, Michael, 1958- [author].
Material type: materialTypeLabelBookPublisher: London : Laurence King, 2012Description: 216 pages : illustrations (some colour) ; 27 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781856697958 (paperback).Other title: One hundred ideas that changed art.Subject(s): Art -- HistoryDDC classification: 701
Contents:
Cave and rock art -- Fired clay -- Land as material -- Statue -- Wall painting -- Scaling up -- Narrative -- Relief carving -- Body as surface -- The nude -- Contrapposto -- Propaganda -- Lost-wax carving -- Paper -- Memorial -- Architectural sculpture -- Word as image -- Coloured glass -- Frame -- Icon -- Making books -- The grotesque -- Erotic art -- Handwriting -- Mosaic -- Multi-panel painting -- Miniatures -- Oil paint -- Window on the world -- Mathematics -- Linear perspective -- Trompe-l'oeil -- Colour codes -- Allegory -- Portrait -- The sketch -- Mirrors -- Printmaking -- Chiaroscuro -- Anatomy -- Still life -- Copying -- Canvas -- Camera obscura -- Reinventing Greek art -- Landscape -- Series -- Collections -- History painting -- Whiteness -- Academies -- Romanticism -- Authenticity -- The artist -- Watercolour -- Confronting reality -- Medievalism -- Dealing -- Capturing the instant -- Assemblage -- Commercial design -- Paint in tubes -- Photography -- Art colonies -- Artificial light -- The unconscious -- The primitive -- Multiple viewpoints -- Collage -- Machine forms -- Abstract art -- Satire -- Found objects -- Kinetic art -- Scenes of daily life -- Installation -- Expressing inner states -- Plastics -- Protest -- Documentary -- Chance -- Shock -- Welding -- Pop -- Less is more -- Opticality -- Hallucinogens -- Performance art -- Personal is political -- Moving images -- Conceptual art -- Titles -- Body as medium -- Street art -- Globalization -- Digital technology -- Museum -- Negative space -- The internet -- Ephemerality.
Summary: "From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a unique and compelling take on the history of art. The book shows how developments in materials (oil paint, plastics, paint in tubes) and technology (paper, photography, welding) have radically changed the way that art is produced. But these changes run parallel with influences from wider culture such as the study of optics and anatomy and more conceptual concerns such as chance and ephemerality. Each entry explores when an idea first evolved and how it has resurfaced in the work of different artists up to the present day. Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art."
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 701 (Browse shelf(Opens below)) Available 00228329
General Lending MTU Crawford College of Art and Design Library Store Item 701 (Browse shelf(Opens below)) 1 Available 00196900
Total holds: 0

Enhanced descriptions from Syndetics:

From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a source of inspiration and a fascinating resource for the general reader to dip into. Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art.

Includes index.

Cave and rock art -- Fired clay -- Land as material -- Statue -- Wall painting -- Scaling up -- Narrative -- Relief carving -- Body as surface -- The nude -- Contrapposto -- Propaganda -- Lost-wax carving -- Paper -- Memorial -- Architectural sculpture -- Word as image -- Coloured glass -- Frame -- Icon -- Making books -- The grotesque -- Erotic art -- Handwriting -- Mosaic -- Multi-panel painting -- Miniatures -- Oil paint -- Window on the world -- Mathematics -- Linear perspective -- Trompe-l'oeil -- Colour codes -- Allegory -- Portrait -- The sketch -- Mirrors -- Printmaking -- Chiaroscuro -- Anatomy -- Still life -- Copying -- Canvas -- Camera obscura -- Reinventing Greek art -- Landscape -- Series -- Collections -- History painting -- Whiteness -- Academies -- Romanticism -- Authenticity -- The artist -- Watercolour -- Confronting reality -- Medievalism -- Dealing -- Capturing the instant -- Assemblage -- Commercial design -- Paint in tubes -- Photography -- Art colonies -- Artificial light -- The unconscious -- The primitive -- Multiple viewpoints -- Collage -- Machine forms -- Abstract art -- Satire -- Found objects -- Kinetic art -- Scenes of daily life -- Installation -- Expressing inner states -- Plastics -- Protest -- Documentary -- Chance -- Shock -- Welding -- Pop -- Less is more -- Opticality -- Hallucinogens -- Performance art -- Personal is political -- Moving images -- Conceptual art -- Titles -- Body as medium -- Street art -- Globalization -- Digital technology -- Museum -- Negative space -- The internet -- Ephemerality.

"From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a unique and compelling take on the history of art. The book shows how developments in materials (oil paint, plastics, paint in tubes) and technology (paper, photography, welding) have radically changed the way that art is produced. But these changes run parallel with influences from wider culture such as the study of optics and anatomy and more conceptual concerns such as chance and ephemerality. Each entry explores when an idea first evolved and how it has resurfaced in the work of different artists up to the present day. Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art."

Author notes provided by Syndetics

Michael Bird is a writer, art historian, and broadcaster. His recent books include Sandra Blow (2005), The St Ives Artists: A Biography of Place and Time (2008), and Bryan Wynter (2010). He has published many essays and articles on modern and contemporary art and lectures widely. He is currently Visiting Lecturer at University College Falmouth.

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