One place after another : site-specific art and locational identity / Miwon Kiwon.
By: Kwon, Miwon
.
Material type: 
BookPublisher: Cambridge, Mass. : MIT Press, 2004Edition: 1st MIT Press pbk. ed.Description: 218 p. : ill. ; 23 cm. + pbk.ISBN: 026261202X.Subject(s): Site-specific art | Art, Modern -- 20th centuryDDC classification: 709.0407 Summary: Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum to remove the work is to destroy the work has been challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles and Fred Wilson. -- Back cover.
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Lending | 709.0407 (Browse shelf(Opens below)) | 1 | Available | 00195933 | ||
| 3 day loan | MTU Crawford College of Art and Design Library Short Loan | 709.0407 (Browse shelf(Opens below)) | 1 | Checked out | 13/12/2023 | 00195934 | |
| General Lending | MTU Crawford College of Art and Design Library Lending | 709.0407 (Browse shelf(Opens below)) | 1 | Available | 00195467 |
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| 709.04 HAR Primitivism, cubism, abstraction : the early twentieth century / | 709.04012 Art deco style / | 709.04032 Cubism and culture / | 709.0407 One place after another : site-specific art and locational identity / | 709.0407 Light show. | 709.0407 Sound / | 709.04074 Body art/performing the subject / |
Enhanced descriptions from Syndetics:
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Includes bibliographical references and index.
Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum to remove the work is to destroy the work has been challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles and Fred Wilson. -- Back cover.
Table of contents provided by Syndetics
- Acknowledgments (p. viii)
- Introduction (p. 1)
- 1 Genealogy of Site Specificity (p. 11)
- 2 Unhinging of site specificity (p. 33)
- 3 Sitings of Public Art: Integration Versus Intervention (p. 56)
- 4 From Site to Community in New Genre Public Art: The Case of "Culture in Action" (p. 100)
- 5 The (UN)Sitings of Community (p. 138)
- 6 By Way of a Conclusion: One Place After Another (p. 156)
- Notes (p. 168)
- Index (p. 211)