MTU Cork Library Catalogue

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Gods and heroes of classical antiquity / Irène Aghion, Claire Barbillon, François Lissarague ; English translation by Leonard N. Amico.

By: Aghion, Irène.
Contributor(s): Barbillon, Claire | Lissarrague, F. (François).
Material type: materialTypeLabelBookSeries: Flammarion iconographic guides.Publisher: Paris ; New York : Flammarion, 1996Description: 317 p. : ill. (some col.) ; 23 cm.ISBN: 2080135813 ; 2080135805 .Subject(s): Mythology, Classical, in art | Gods, Greek, in art | Gods, Roman, in art | Heroes in artDDC classification: 704.947
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 704.947 (Browse shelf(Opens below)) 1 Checked out 19/02/2024 00193902
Total holds: 0

Includes bibliographical references (p. 311-312) and index.

Reviews provided by Syndetics

CHOICE Review

Similar to previous "Flammarion Iconographic Guides" (Louis Frederic's Buddhism, CH, Mar'96; G. Duchet-Suchaux and M. Pastoureau's The Bible and the Saints, CH, Feb'95), this guide serves those viewing artworks that allude to themes of classical antiquity. According to the authors, the guide "shows how artists interpret mythology and ancient history, but is neither a history of mythology nor a treatise on the nature of mythology." Each entry includes name, variation of name in different languages, history and mythology, representation in art (including photographs), attributes, cross-references, and bibliography. Providing representations of artworks is helpful, but there are inconsistencies in many entries, most disturbing of which is the brevity or lack of discussion in the representation section. The authors' decision to use the Roman rather than Greek form of name is self-defeating, since there are no discussions on the representation of various heroes or stories at different times or by differing artists. A list of cross-references at the beginning of the book would have helped. It is sometimes difficult to determine what type of art format has been traditionally used in representing the story. This guide will serve novices or those with little classical background. M. C. Su Pennsylvania State University, Altoona Campus

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