Antonio Salieri and Viennese Opera / John A. Rice.
By: Rice, John A.
Material type: BookPublisher: Chicago, Ill. : University of Chicago Press, c1998Description: xxii, 648 p. : ill. ; 25 cm. + hbk.ISBN: 0226711250 ; 0226711269 .Subject(s): Salieri, Antonio, 1750-1825 -- Criticism and interpretation | Opera -- Austria -- Vienna -- 18th centuryDDC classification: 782.1092 SALItem type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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General Lending | MTU Cork School of Music Library Lending | 782.1092 SAL (Browse shelf(Opens below)) | 1 | Available | 00140345 |
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782.1092 Wagner for beginners / | 782.1092 The real Wagner / | 782.1092 PUC Puccini without excuses : a refreshing reassessment of the world's most popular composer / | 782.1092 SAL Antonio Salieri and Viennese Opera / | 782.1092 TEA Singer beware : a cautionary story of the singing class / | 782.1092 VER The Verdi companion / | 782.1092 VER The operas of Verdi. from Don Carlos to Falstaff / vol. 3 : |
Enhanced descriptions from Syndetics:
Many know Antonio Salieri only as Mozart's envious nemesis from the film Amadeus . In this well-illustrated work, John A. Rice shows us what a rich musical and personal history this popular stereotype has missed.
Bringing Salieri, his operas, and eighteenth-century Viennese theater vividly to life, Rice places Salieri where he belongs: no longer lurking in Mozart's shadow, but standing proudly among the leading opera composers of his age. Rice's research in the archives of Vienna and close study of his scores reveal Salieri to have been a prolific, versatile, and adventurous composer for the stage. Within the extraordinary variety of Salieri's approaches to musical dramaturgy, Rice identifies certain habits of orchestration, melodic style, and form as distinctively "Salierian"; others are typical of Viennese opera in general. A generous selection of excerpts from Salieri's works, most previously unpublished, will give readers a fuller appreciation for his musical style--and its influence on Mozart--than was previously possible.
Includes bibliographical references and index.