Postmodern music/postmodern thought / edited by Judy Lochhead and Joseph Auner.

Contributor(s): Lochhead, Judith Irene | Auner, Joseph Henry, 1959-.

Material type: materialTypeLabel

BookSeries: Studies in contemporary music and culture ; v. 4.Publisher: New York : Routledge, 2002Description: xi, 372 p. : ill., music ; 23 cm.ISBN: 0815338201.Subject(s): Music -- Philosophy and aesthetics

| Postmodernism

DDC classification: 780.905

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Item type	Current library	Call number	Copy number	Status	Date due	Barcode	Item holds
General Lending	MTU Cork School of Music Library Lending	780.905 (Browse shelf(Opens below))	1	Available		00102390

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Enhanced descriptions from Syndetics:

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Includes bibliographical references and index.

Table of contents provided by Syndetics

Acknowledgments (p. ix)
Series Editor's Foreword (p. xi)
Section I Theoretical Foundations and Debates
Chapter 1 Introduction (p. 1)
Chapter 2 The Nature and Origins of Musical Postmodernism (p. 13)
Chapter 3 Reflections of Surrealism in Postmodern Musics (p. 27)
Chapter 4 Postmodernism and Art Music in the German Debate (p. 75)
Chapter 5 Music and Musical Practices in Postmodernity (p. 93)
Chapter 6 Postmodern Architecture/Postmodern Music (p. 119)
Chapter 7 Feminine/Feminist? In Quest of Names with No Experience (Yet) (p. 141)
Section II Scaling the High/Low Divide
Chapter 8 Postmodern Polyamory or Postcolonial Challenge? Cornership's Dialogue from West, to East, to West (p. 177)
Chapter 9 Production vs. Reception in Postmodernism: The Gorecki Case (p. 195)
Chapter 10 "Where's It At": Postmodern Theory and the Contemporary Musical Field (p. 207)
Section III Compositional Voices
Chapter 11 Music, Postmodernism, and George Rochberg's Third String Quartet (p. 235)
Chapter 12 Resistant Strains of Postmodernism: The Music of Helmut Lachenmann and Brian Ferneyhough (p. 249)
Chapter 13 Imploding the System: Kagel and the Deconstruction of Modernism (p. 263)
Chapter 14 Collage vs. Compositional Control: The Interdependency of Modernist and Postmodernist Approaches in the Work of Mauricio Kagel (p. 287)
Section IV Linking the Visual and Aural Domains
Chapter 15 Race and Reappropriation: Spike Lee meets Aaron Copland (p. 303)
Chapter 16 The Politics of Feminism, Postmodernism, and Rock: Revisited, with Reference to Parmar's Righteous Babes (p. 323)
Chapter 17 Natural Born Killers: Music and Image in Postmodern Film (p. 335)
Contributors (p. 361)
Index (p. 365)

Author notes provided by Syndetics

Judy Lochead is Associate Professor of Music at the State University of New York at Stony Brook where she teaches history and theory courses relevant to music of the 20th and 21st centuries
Joseph Auner is Associate Professor of Music at the State University of New York at Stony Brook and general editor for Routledge's Studies in Contemporary Music and Culture series. His articles and reviews have appeared in the Journal of the American Musicological Society, Music Theory Spectrum, and other journals