Where the stress falls : essays / Susan Sontag.
By: Sontag, Susan.
Material type: BookPublisher: London : Jonathan Cape, 2002Description: 351 p : 24 cm. + hbk.ISBN: 0224029134.Subject(s): Film criticism | Arts and society | Dance criticism | Theater -- Moral and ethical aspectsDDC classification: 814.54Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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General Lending | MTU Crawford College of Art and Design Library Lending | 814.54 (Browse shelf(Opens below)) | 1 | Available | 00066112 | ||
General Lending | MTU Crawford College of Art and Design Library Store Item | 814.54 (Browse shelf(Opens below)) | 1 | Available | 00066103 |
Enhanced descriptions from Syndetics:
Thirty-five years after her first collection, the now classic "Against Interpretation, " America's most important essayist has chosen more than forty longer and shorter pieces from the last twenty years. Divided into three sections, the first "Reading" includes ardent pieces on writers from her own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva, and Elizabeth Hardwick. In the second, "Seeing" she shares her passions for film, dance, photography, painting, opera, and theater. And in the final section, "There and Here" Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.
Includes bibliographical references.
Table of contents provided by Syndetics
- Reading A Poet's Prose
- Where the Stress Falls Afterlives: The Case of Machado de Assis A Mind in Mourning
- The Wisdom Project Writing Itself: On Roland Barthes Walser's Voice Danilo Ki¿
- Gombrowicz's Ferdydurke Pedro Páramo DQ A Letter to Borges
- Seeing A Century of Cinema Novel into Film: Fassbinder's Berlin Alexanderplatz
- A Note on Bunraku A Place for Fantasy
- The Pleasure of the Image About Hodgkin
- A Lexicon for Available Light In Memory of Their Feelings Dancer and the Dance Lincoln Kirstein Wagner's Fluids
- An Ecstasy of Lament One Hundred Years of Italian Photography
- On Bellocq Borland's Babies Certain Mapplethorpes
- A Photograph is Not an Opinion
- Or Is It?
- There and Here Homage to Halliburton Singleness Writing As Reading Thirty Years Later . . .
- Questions of Travel The Idea of Europe (One More Elegy)
- The Very Comical Lament of Pyramus and Thisbe (An Interlude)
- Answers to a Questionnaire Waiting for Godot in Sarajevo "There" and "Here" Joseph Brodsky On Being Translated
- Acknowledgments
Excerpt provided by Syndetics
Reviews provided by Syndetics
Library Journal Review
Sontag collects 41 essays that frame over 20 years of astute observations on culture, arts, and aesthetics. Previously published as magazine articles, articles for tourist catalogs, program notes for puppet theater or ballet performances, notes for art exhibition catalogs, and introductions, forewords, or afterwords in other authors' monographs, the essays are organized into three categories. "Reading" encompasses Sontag's erudite, critical renderings on autobiography and the works and influence of international literary figures such as Machado de Assis, Roland Barthes, Danilo Ki, Marina Tsvetaeva, and Robert Walser. In the middle section, "Seeing," Sontag is more approachable, expressing her perceptive and provocative opinions on cinema, garden history, photography, painting, opera, drama, and dance. Finally, in "There and Now," Sontag recounts her experiences in Sarajevo and her feelings regarding travel, activism, writing, and translations. Several of the essays such as "A Letter to Borges" appear here in English for the first time. Although an introduction to prepare newcomers to Sontag for what follows would have been helpful, this remains an attractive and interesting collection from an important cultural thinker. Recommended for academic and public libraries. Jeris Cassel, Rutgers Univ. Lib., New Brunswick, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Publishers Weekly Review
One of the few Americans to manage superbly the dual roles of public intellectual and novelist, Sontag, whose novel In America won a National Book Award in 2000, reaches a big audience even as she divides critics. First and foremost an essayist, Sontag tackles varied interests that are compelling in part for their apparent randomness. This new collection of occasional articles includes punditry on literature, film, photography, theater and her own literary career, among other subjects. Once a champion of then-lesser-known writers like Jorge Luis Borges and Roland Barthes, she now boosts the worthy Brazilian novelist Machado de Assis and Swiss writer Robert Walser. Sometimes her enthused advocacy seems overstated, such as when she argues a little too forcefully for Glenway Wescott as a novelist and for the poet Adam Zagajewski as a prose writer. A sugary memorial for New York City Ballet founder Lincoln Kirstein is also inadequate on many levels. Still, Sontag's appetite for trends and achievements is still so fierce, and she switches subjects so quickly and lithely, that if one short essay does not convince, the next one probably will. One can't help admiring the conviction evident in "Waiting for Godot in Sarajevo," her account of directing a Beckett play in the war-torn city. There is no one quite like Sontag, and her many admirers will enjoy following up on her reading tips and engaging in debate with her via this book. (Sept.) Forecast: Expect solid sales among Sontag's fans, some of whom will pick this book up as a first foray into her essays. For those who need assistance in entering the Sontag oeuvre, biographer and Baruch College professor Carl Rollyson's Reading Susan Sontag: An Introduction to Her Work is forthcoming in October (Ivan R. Dee). (c) Copyright PWxyz, LLC. All rights reservedCHOICE Review
Sontag is one of the US's most quoted writers. Her pronouncements on popular culture, film, literature, and other arts such as opera and dance pop up repeatedly in the media. She published most of her important essays between 1966 and 1980, and then she gradually turned toward writing more fiction. Her high visibility, however, means that she is constantly asked for contributions to other writers' books, to theater programs, and to other cultural events. The present collection is a miscellany of this nonfiction from the past 20 years. Although a few pieces rival in importance her earlier work, many others seem slight and lack the provocative prose of classic essays such as "Against Interpretation" and "The Imagination of Disaster." Although this collection has an autobiographical section, it does not include her most self-revealing essay, "Pilgrimage." Unlike Styles of Radical Will (1969) and Under the Sign of Saturn (1980), the present collection seems to have no structure or central organizing principle. As a result, it does not add a cubit to her stature. It will interest general readers and perhaps graduate students and advanced scholars. Undergraduates are advised to read her earlier collections. C. Rollyson Bernard M. Baruch College, CUNYBooklist Review
Sontag won the National Book Award for her novel In America [BKL F 1 00], and readers of her ardent literary essays know that, for Sontag, novelists are nearly at the pinnacle of the universe of words, just a step below the poets. Yet her criticism is art in its own right, so gorgeously formed and creative, so vital and searching, deeply rooted in passionately intelligent reading and unstinting curiosity. Forty-one essays based on two decades of international cultural attentiveness create a substantial and wonderfully musical collection that makes matters literary and artistic urgent and thrilling. A close consideration of poets' prose inspires a sizzling tribute to Russian literature, and thoughts of Glenway Wescott's all-but-forgotten novel, The Pilgrim Hawk, spark a rousing discussion of various approaches to fiction. Sontag is just as piercing and revelatory in her criticism of dance (Lincoln Kirstein), photography (Bellocq), and painting (Howard Hodgkin). And in her reflections on staging Waiting for Godot in Sarajevo in 1993, she is indelibly eloquent about what art brings to life and vice versa. Donna SeamanAuthor notes provided by Syndetics
Susan Sontag was born in New York City on January 16, 1933. She received a B.A. from the University of Chicago and did graduate work in philosophy, literature and theology at Harvard University and Saint Anne's College, Oxford University. She was the author of 17 books including four novels, a collection of short stories, several plays, and eight works of nonfiction. Her novels are The Benefactor, Death Kit, The Volcano Lover, and In America, which won the 2000 National Book Award for fiction. On Photography received the 1978 National Book Critics Circle Award. Her stories and essays have appeared in numerous magazines including The New Yorker, The New York Review of Books, The Times Literary Supplement, and Art in America. She also wrote and directed four feature films and stage plays in the United States and Europe. She died from leukemia on December 28, 2004 at the age of 71.(Bowker Author Biography)