New media in late 20th-century art / Michael Rush.
By: Rush, Michael
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Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
General Lending | MTU Crawford College of Art and Design Library Lending | 709.0407 (Browse shelf(Opens below)) | 1 | Available | 00073040 | ||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.0407 (Browse shelf(Opens below)) | 1 | Available | 00073058 | ||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.0407 (Browse shelf(Opens below)) | 1 | Available | 00073051 | ||
General Lending | MTU Crawford College of Art and Design Library Lending | 709.0407 (Browse shelf(Opens below)) | 1 | Available | 00073057 |
Enhanced descriptions from Syndetics:
Modern art has radically extended the conventional medium of sculpture and painting. Following on innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarchies of mediums and embraced any means, including technological, which best served their purposes. Furthermore, especially in the last 50 years, time and duration have reinstated narrative back in art: in filmmaking and video, the narrative theatricality of happening, performance and installation art, digitally manipulated photography and virtual reality
Includes bibliographical references (p. 218) and index.
Introduction -- Ch. 1. Media and performance -- Ch. 2. Video art -- Ch. 3. Video installation art -- Ch. 4. Digital art -- Select bibliography -- List of illustrations -- Index.
CIT Module ARTS 8002 - Supplementary reading.
Table of contents provided by Syndetics
- Introduction (p. 7)
- Time Art (p. 12)
- Film and Avant-Garde Cinema I (p. 15)
- Duchamp to Cage to Fluxus (p. 21)
- Film and Avant-Garde Cinema II (p. 27)
- Chapter 1 Media and Performance (p. 36)
- 1960s Multimedia Performances (p. 36)
- Studio Performances (p. 47)
- Japanese Gutai and Viennese Actionism (p. 54)
- Gender and Media Performance (p. 59)
- Minimalist and Conceptual Trends (p. 61)
- Politics, Postmodernism, and the New Spectacle (p. 64)
- Chapter 2 Video Art (p. 78)
- A New Media (p. 78)
- Conceptual Video (p. 93)
- Personal Narratives (p. 107)
- Chapter 3 Video Installation Art (p. 116)
- Sculptural Space and Surveillance (p. 117)
- Exploring the Political (p. 125)
- Exploring the Lyrical (p. 138)
- Exploring Identities (p. 148)
- Chapter 4 Digital Art (p. 168)
- Computer Art (p. 171)
- Digitally Altered Photography (p. 184)
- Art of the Worldwide Web (p. 192)
- Interactive Digital Art (p. 201)
- Virtual Reality (p. 208)
- Select Bibliography (p. 218)
- List of Illustrations (p. 219)
- Index (p. 222)