Advanced audio production techniques / Ty Ford.
By: Ford, Ty
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Material type: ![materialTypeLabel](/opac-tmpl/lib/famfamfam/BK.png)
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Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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General Lending | MTU Bishopstown Library Lending | 621.3893 (Browse shelf(Opens below)) | 1 | Available | 00013998 |
Browsing MTU Bishopstown Library shelves, Shelving location: Lending Close shelf browser (Hides shelf browser)
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621.3893 Audio electronics / | 621.3893 Digital audio and compact disc technology / | 621.3893 Sound and recording : an introduction / | 621.3893 Advanced audio production techniques / | 621.3893 Digital audio operations / | 621.3893 The sound studio / | 621.3893 The art of digital audio / |
Enhanced descriptions from Syndetics:
This book provides the reader with easy to understand answers on how and why sophisticated audio decisions are made. The reader will discover how to listen, how to connect equipment, and how to use the equipment to achieve the desired effects. Written for the video age, this book will show the reader how to visualise sound. The book is clear and easy to understand and provides an insight into envisioning and executing the right sound.
Includes bibliographical references (p. 141) and index.
Developing golden ears -- Advanced listening -- Getting connected -- Understanding audio signal flow -- Shaping audio -- New technology -- Symbiosis and synergy in the studio.
Table of contents provided by Syndetics
- Preface (p. ix)
- 1 Developing Golden Ears (p. 1)
- Hearing (p. 2)
- Listening (p. 4)
- Using Points of Reference (p. 8)
- Practicing Visualization (p. 9)
- Starting with a Concept (p. 11)
- Hearing Loss (p. 11)
- Developing Chops (p. 13)
- 2 Advanced Listening (p. 15)
- Studio and Control Room Acoustics (p. 15)
- Monitors (p. 17)
- Radio and Television Referencing (p. 23)
- Polarity and Phase Cancellation (p. 23)
- Listening for Noise (p. 25)
- Conclusion (p. 29)
- 3 Getting Connected (p. 31)
- Getting Past the Jargon (p. 32)
- Impedance (p. 33)
- Operating Levels (p. 37)
- Headroom (p. 37)
- Dynamic Range (p. 38)
- Balanced and Unbalanced Audio (p. 40)
- 4 Understanding Audio Signal Flow (p. 45)
- Patch Bays (p. 47)
- Phase Reversal and Phase Cancellation (p. 51)
- Cable Polarity (p. 54)
- Distribution Amps (p. 55)
- Audio Switchers (p. 56)
- Consoles (p. 56)
- Conclusion (p. 59)
- 5 Shaping Audio (p. 61)
- Audio Processing (p. 62)
- Equalization (p. 63)
- Dynamic Gain Control (p. 72)
- Time-Domain Effects (p. 81)
- Psychoacoustic Processors (p. 90)
- Conclusion (p. 94)
- 6 New Technology (p. 95)
- Digital Audio (p. 95)
- Digital Recording Formats (p. 101)
- Digital Signal Processing (p. 108)
- Musical Instrument Digital Interface (MIDI) (p. 114)
- Conclusion (p. 116)
- 7 Symbiosis and Synergy in the Studio (p. 119)
- Suggested Reading (p. 141)
- Index (p. 143)