Impressions of French modernity : art and literature in France, 1850-1900 / edited by Richard Hobbs.
Contributor(s): Hobbs, Richard
.
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Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
General Lending | MTU Crawford College of Art and Design Library Lending | 700.944 (Browse shelf(Opens below)) | 1 | Available | 00072898 |
Enhanced descriptions from Syndetics:
Critical theory is one of the most important and exciting areas within the study of international relations. Its purpose is not only to describe how the world operates but also to help us imagine how we might achieve a more equitable and sustainable way of life. Presenting key concepts and thinkers, notably Theodor Adorno and Michel Foucault, this book provides an evaluation of the field and suggests how critical thinking can contribute to confronting the challenges of the twenty-first century. It argues that current critiques of critical theory in international relations can only be overcome if we engage with ideas from outside of the western tradition.
Includes bibliographical references and index.
Table of contents provided by Syndetics
- Preface--Richard Hobbs
- Encounters with Modern Life
- A Painter's Impressions of Modernity: Delacroix, Citizen of the Nineteenth Century
- Second Empire Impressions
- Curiositeacute;
- On His Knees in the Past? Gautier, Ingres, and Forms of Modern Art
- Le Peintre de la Vie Moderne and 'La Peinture de la Vie Ancienne'
- Innovating Forms* Matter for Reflexion: Nineteenth-Century French Art Critics' Quest for Modernity in Sculpture
- Visual Display in the Realist Novel: L'Aventure du Style
- Dirt and Desire: Troubled Waters in Realist Practice
- Modernity and Identity* The Dancer as Woman: Loiuml;e Fuller and Steacute;phane Mallarmeacute;
- The Atelier Novel: Painters as Fiction
- To Move the Eyes: Impressionism, Symbolism, and Well-Being, Circa 1891
- Encounters with Modern Life* A Painter's Impressions of Modernity: Delacroix, Citizen of the Nineteenth Century
- Second Empire Impressions* Curiositeacute;
- On His Knees in the Past? Gautier, Ingres, and Forms of Modern Art
- Le Peintre de la Vie Moderne and 'La Peinture de la Vie Ancienne'
- Innovating Forms* Matter for Reflexion: Nineteenth-Century French Art Critics' Quest for Modernity in Sculpture
- Visual Display in the Realist Novel: L'Aventure du Style
- Dirt and Desire: Troubled Waters in Realist Practice
- Modernity and Identity
- The Dancer as Woman: Loiuml;e Fuller and Steacute;phane Mallarmeacute;
- The Atelier Novel: Painters as Fiction
- To Move the Eyes: Impressionism, Symbolism, and Well-Being, Circa 1891