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Art in Renaissance Italy 1350-1500 / Evelyn Welch.

By: Welch, Evelyn S, 1959- [author].
Material type: materialTypeLabelBookSeries: Oxford history of art: Publisher: Oxford : Oxford University Press, 1997Copyright date: ©1997Description: 350 pages : illustrations (some colour), portraits (some colour), plans ; 24 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 019284279X (paperback).Other title: Art in Renaissance Italy [Cover title].Subject(s): Art, Italian | Art, Renaissance -- ItalyDDC classification: 709.024
Contents:
Introduction -- 1. Artistic enterprises -- 2. Audiences for art -- 3. The art of government -- 4. Art and the household.
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 709.024 (Browse shelf(Opens below)) 1 Available 00232341
General Lending MTU Crawford College of Art and Design Library Lending 709.024 (Browse shelf(Opens below)) 1 Available 00192192
General Lending MTU Crawford College of Art and Design Library Store Item 709.024 (Browse shelf(Opens below)) 1 Available 00088905
Total holds: 0

Enhanced descriptions from Syndetics:

The Italian Renaissance was a pivotal period in the history of Western culture during which artists such as Masaccio, Donatello, Fra Angelico, and Leonardo created some of the world's most influential and exciting works in a variety of artistic fields. Here, Evelyn Welch presents a fresh picture of the Italian Renaissance by challenging traditional scholarship and placing emphasis on recreating the experience of contemporary Italians: the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. Art in Renaissance Italy 1350-1500 dramatically revises the traditional story of the Renaissance and takes into account new issues that have greatly enriched our understanding of the period. From paintings and coins to sculptures and tapestries, Welch examines the issues of materials, workshop practices, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social, and political behavior.

Includes bibliographical references (pages 326-335) and index.

Introduction -- 1. Artistic enterprises -- 2. Audiences for art -- 3. The art of government -- 4. Art and the household.

Author notes provided by Syndetics

Evelyn Welch is Lecturer at the Warburg Institute, University of Sussex. Her publications include Art and Authority in Renaissance Milan.

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