Word and image : French painting of the ancien regime / Norman Bryson.
By: Bryson, Norman
.
Material type: 
BookPublisher: Cambridge : Cambridge University Press, 1981Description: xviii, 281 p. : ill. ; 26 cm.ISBN: 0521237769.Subject(s): Painting, French | Narrative painting, French | Painting, Modern -- 17th century -- France | Painting, Modern -- 18th century -- FranceDDC classification: 759.4
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Lending | 759.4 (Browse shelf(Opens below)) | 1 | Available | 00067744 |
Enhanced descriptions from Syndetics:
This 1982 book, now recognised as a classic, has done perhaps more than any other single work to change the face of art criticism in the twentieth century. Whereas previous books on French painting looked only at the history of painting as an evolution of artistic styles (baroque, rococo, neo-classical, and so on), Norman Bryson examines the evolution of narrative styles: the kinds of stories paintings tell, the ways they communicate their information, the different techniques of presenting the body as an instrument for incorporating textual messages. The procedure is applied to a number of painters: LeBrun, Watteau, Greuze, David and others, and the author demonstrates that the relation of formal and 'literary' elements was regarded by painters and critics in the eighteenth century as the primary issue to be confronted in the production of a painting.
Bibliography: p. 272-276. - Includes index.
Table of contents provided by Syndetics
- List of illustrations
- Preface
- Acknowledgements
- 1 Discourse, figure
- 2 The legible body: LeBrun
- 3 Watteau and reverie
- 4 Transformations in rococo space
- 5 Greuze and the pursuit of happiness
- 6 Diderot and the word
- 7 Diderot and the image
- 8 1785
- Conclusion: style or sign?
- Notes
- List of societies affiliated to CINOA
- Select bibliography
- Index