Theories of contemporary art / Richard Hertz.
By: Hertz, Richard
.
Material type: ![materialTypeLabel](/opac-tmpl/lib/famfamfam/BK.png)
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Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
General Lending | MTU Crawford College of Art and Design Library Lending | 700.1 (Browse shelf(Opens below)) | 1 | Available | 00061810 |
Total holds: 0
Enhanced descriptions from Syndetics:
Collection of provocative essays that introduce students to the best and most recent criticism of post modern art (1960-1990)
Includes bibliographical references and index.
Table of contents provided by Syndetics
- 1 Farewell to Modernism
- 2 Beginning Again
- 3 American Painting: The Eighties
- 4 New Image Painting
- 5 The Academy of the Bad
- 6 Determining Aesthetic Values
- 7 Honor, Power, and the Love of Women
- 8 Appropriated Sexuality
- 9 Last Exit: Painting
- 10 Third Wave: Art and the Commodification of Theory
- 11 Image World: Art and Media Culture
- 12 European Sensibility Today
- 13 Death and the Painter
- 14 Bringing It All Back Home: Jeremy Gilbert-Rolfe's New Paintings
- 15 Seriousness and Difficulty in Contemporary Art and Culture
- 16 The Boys in My Bedroom
- 17 Dismantling Modernism
- 18 Feminism and Postmodernism
- 19 Where's the Artist? Feminist Practice and Poststructural Theories of Authorship
- 20 The Politics of Difference: Artists Explore Issues of Identity
- 21 On the Question of Teaching a Dentist to Shave
- 22 Function of the Museum
- 23 The Event
- 24 A Profusion of Substance
- 25 No Man's Time
- 26 The Audience Culture
- 27 Commerce on the Edge
- 28 The Marriage of Art and Money
- 29 Toward an Ecological Self