MTU Cork Library Catalogue

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Interior design of the 20th century / Anne Massey.

By: Massey, Anne, 1956- [author].
Material type: materialTypeLabelBookPublisher: London : Thames and Hudson, 1990 1996Description: 216 pages : illustrations (some color) ; 21 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 0500202478.Subject(s): Interior decoration -- 20th centuryDDC classification: 747.2049
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
Reference MTU Crawford College of Art and Design Library Reference 747.2049 (Browse shelf(Opens below)) 1 Reference 00052937
Total holds: 0

Enhanced descriptions from Syndetics:

This book examines the history of declaring war from the early modern era up to the drafting of the U.S. Constitution. In the late middle ages, formal declarations of war were highly ritualistic acts, but by the early seventeenth century, they had changed into a practice whereby an ambassador presented a printed declaration to an enemy king. Key issues covered here include determining how and when the medieval practices of declaring war gave way to the more modern ones, and the extent to which American framers accepted or rejected the practices of their era. While the debate over recent congressional resolutions authorizing use of the armed forces overseas has generated many publications, the wider history of declaring war has been far less a topic of study, and the early modern era has been all but ignored. This book's primary sources include ambassadorial reports, especially those from Venetian ambassadors, declarations of war, published works by noted contemporary thinkers, and several early modern literary works that depict the high drama of declaring war.

Includes bibliographical references and index.

Reviews provided by Syndetics

Booklist Review

Part of the World of Art series, this paperback study covers major design and style movements from the late nineteenth century through the mid-1980s. Massey begins with the arts and crafts movement in England and continues through the art nouveau, art deco, and twentieth-century design classics of international modernism. A concentration on complete rooms, both by influential interior decorators and by the room's actual occupants, displays both the aesthetic and the social context that the places represent in art and cultural history. An excellent series of illustrations, both in color and in black and white, accompanies the author's incisive narrative of styles and tastes. Bibliography. ~--John Brosnahan

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