Gerard David : purity of vision in an age of transition / Maryan W. Ainsworth.
By: Metropolitan Museum of Art (New York, N.Y.).
Contributor(s): Ainsworth, Maryan Wynn
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Material type: ![materialTypeLabel](/opac-tmpl/lib/famfamfam/BK.png)
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
General Lending | MTU Crawford College of Art and Design Library Lending | 759.9493 DAV (Browse shelf(Opens below)) | 1 | Available | 00055246 |
Enhanced descriptions from Syndetics:
Ainsworth (Senior Conservation Research Fellow at the Metropolitan Museum of Art) examines the work of the great Bruges painter Gerard David (ca. 1455-1523), focusing on the motivating forces behind the startling changes in his work caused by shifting devotional practices, changing art markets, the accommodation of foreign art clients, and the evolving secular nature of painting demanded by the newly wealthy middle class in the early years of the 16th century. Illustrations, some 343 in all, include abundant comparative material, such as drawings and workshop copies, as well as 69 superb color reproductions. Annotation copyrighted by Book News, Inc., Portland, OR
Includes bibliographical references and index.