MTU Cork Library Catalogue

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The nineteenth century / Donald Martin Reynolds.

By: Reynolds, Donald M [author.].
Material type: materialTypeLabelBookSeries: Cambridge introduction to art: Publisher: Cambridge : Cambridge University Press, 1985Description: vi, 138 pages : illustrations (some colour) ; 25 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 0521298695 (paperback).Subject(s): Art, Modern -- 19th centuryDDC classification: 709.034
Contents:
Neoclassicism and Romanticism ; Neoclassicism : simplicity and calm grandeur ; Romanticism : passion and sensibility -- Sculpture: The monotonous medium ; The animated medium ; The essence of beauty and the love of nature : Auguste Rodin -- The romantic landscape: The English landscape garden ; J.M.W. Turner : the likeness and the spirit ; John Constable : what need to look beyond? ; Romantic landscape in Germany ; Romantic landscape in the New Worlds -- French realism and impressionism Gustave Courbet ; Edouard Manet ; The café and the atelier ; The impressionists -- From realists to post-impressionists: The Nazarenes ; The Pre-Raphaelites ; Arts and crafts movement ; J.A. McN. Whistler ; Art nouveau ; Symbolism and fantasy ; Post-Impressionism.
Summary: Ranging right across a period of baffling and complex social, political and cultural changes, this masterly introduction to the visual arts identifies the major concepts and stylistic characteristics of an age which encompassed movements as varied as Neoclassicism and Impressionism. The author begins with a consideration of both Neoclassical and Romantic currents. He looks at the roles of such eminent figures as Benjamin West and Sir Joshua Reynolds, and considers the work of the leading artists of both movements - David, Ingres and then Goya and Rodin (among others). He goes on to an examination of the effect of the romantic sensibility on English landscape painting with particular attention to the work of Turner and Constable. The book also covers the French Realist and Impressionist movements and the final chapter considers the Post-Impressionists, the pre-Raphaelites, Whistler and the exponents of the growing Arts and Crafts movement.
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 709.034 (Browse shelf(Opens below)) 1 Available 00230363
General Lending MTU Crawford College of Art and Design Library Lending 709.034 (Browse shelf(Opens below)) 1 Available 00057520
General Lending MTU Crawford College of Art and Design Library Store Item 709.034 (Browse shelf(Opens below)) 1 Available 00057521
General Lending MTU Crawford College of Art and Design Library Lending 709.034 (Browse shelf(Opens below)) 1 Available 00059048
General Lending MTU Crawford College of Art and Design Library Lending 709.034 (Browse shelf(Opens below)) 1 Available 00059049
Total holds: 0

Enhanced descriptions from Syndetics:

Ranging right across a period of baffling and complex social, political and cultural changes, this masterly introduction to the visual arts identifies the major concepts and stylistic characteristics of an age which encompassed movements as varied as Neoclassicism and Impressionism. The author begins with a consideration of both Neoclassical and Romantic currents. He looks at the roles of such eminent figures as Benjamin West and Sir Joshua Reynolds, and considers the work of the leading artists of both movements - David, Ingres and then Goya and Rodin (among others). He goes on to examine the effect of the romantic sensibility on English landscape painting with particular attention to the work of Turner and Constable. The book also covers the French Realist and Impressionist movements and the final chapter considers the Post-Impressionists, the pre-Raphaelites, Whistler and the exponents of the growing Arts and Crafts movement.

Includes bibliographical references (page 135) and index.

Neoclassicism and Romanticism ; Neoclassicism : simplicity and calm grandeur ; Romanticism : passion and sensibility -- Sculpture: The monotonous medium ; The animated medium ; The essence of beauty and the love of nature : Auguste Rodin -- The romantic landscape: The English landscape garden ; J.M.W. Turner : the likeness and the spirit ; John Constable : what need to look beyond? ; Romantic landscape in Germany ; Romantic landscape in the New Worlds -- French realism and impressionism Gustave Courbet ; Edouard Manet ; The café and the atelier ; The impressionists -- From realists to post-impressionists: The Nazarenes ; The Pre-Raphaelites ; Arts and crafts movement ; J.A. McN. Whistler ; Art nouveau ; Symbolism and fantasy ; Post-Impressionism.

Ranging right across a period of baffling and complex social, political and cultural changes, this masterly introduction to the visual arts identifies the major concepts and stylistic characteristics of an age which encompassed movements as varied as Neoclassicism and Impressionism. The author begins with a consideration of both Neoclassical and Romantic currents. He looks at the roles of such eminent figures as Benjamin West and Sir Joshua Reynolds, and considers the work of the leading artists of both movements - David, Ingres and then Goya and Rodin (among others). He goes on to an examination of the effect of the romantic sensibility on English landscape painting with particular attention to the work of Turner and Constable. The book also covers the French Realist and Impressionist movements and the final chapter considers the Post-Impressionists, the pre-Raphaelites, Whistler and the exponents of the growing Arts and Crafts movement.

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