Image from Syndetics
Art after modernism : rethinking representation / edited and with an introduction by Brian Wallis ; foreword by Marcia Tucker.
Contributor(s): Wallis, Brian
.
Material type: 
BookSeries: Documentary sources in contemporary art ; [v. 1].Publisher: New York ; Boston : New Museum of Contemporary Art ; David R. Godine, 1992Description: xviii, 461p. : ill., ports. ; 24cm.ISBN: 0879236329.Subject(s): Postmodernism | Arts, Modern -- 20th centuryDDC classification: 700.904
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Lending | 700.904 (Browse shelf(Opens below)) | 1 | Available | 00060104 |
Total holds: 0
Enhanced descriptions from Syndetics:
The waning of the century-old modernist movement in the arts has called forth an array of artistic and critical responses. The 25 essays in this text provide a survey of the most provocative directions taken by art and criticism in the postmodern age.
Includes bibliographical references (p. 435-445) and index.
Table of contents provided by Syndetics
- Foreword (p. vii)
- What's Wrong with This Picture? an Introduction (p. xi)
- I Image / Author / Critique (p. 1)
- Pierre Menard, Author of the Quixote (p. 3)
- The Originality of the Avant-Garde: a Postmodernist Repetition (p. 13)
- Realism for the Cause of Future Revolution (p. 31)
- Ii Dismantling Modernism (p. 43)
- The Rise of Andy Warhol (p. 45)
- After Avant-Garde Film (p. 59)
- Photography After Art Photography (p. 75)
- Re-Viewing Modernist Criticism (p. 87)
- Iii Paroxysms of Painting (p. 105)
- Figures of Authority, Ciphers of Regression (p. 107)
- Flak from the "Radicals": the American Case Against Current German Painting (p. 137)
- Last Exit: Painting (p. 153)
- Iv Theorizing Postmodernism (p. 167)
- From Work to Text (p. 169)
- Pictures (p. 175)
- Re Post (p. 189)
- The Allegorical Impulse: Toward a Theory of Postmodernism (p. 203)
- V the Fictions of Mass Media (p. 237)
- Progress Versus Utopia; Or, Can We Imagine the Future? (p. 239)
- The Precession of Simulacra (p. 253)
- Eclipse of the Spectacle (p. 283)
- Vi Cultural Politics (p. 295)
- The Author as Producer (p. 297)
- Lookers, Buyers, Dealers, and Makers: Thoughts on Audience (p. 311)
- Trojan Horses: Activist Art and Power (p. 341)
- Vii Gender / Difference / Power (p. 359)
- Vi sual Pleasure and Narrative Cinema (p. 361)
- "A Certain Refusal of Difference": Feminism and Film Theory (p. 375)
- Representation and Sexuality (p. 391)
- The Subject and Power (p. 417)
- Bibliography (p. 435)
- Index (p. 447)
- Contributors (p. 460)