MTU Cork Library Catalogue

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Body criticism : imaging the unseen in Enlightenment art and medicine / Barbara Maria Stafford.

By: Stafford, Barbara Maria, 1941-.
Material type: materialTypeLabelBookPublisher: Cambridge, Mass. : MIT Press, 1991Description: xxi, 587 p. : ill. ; 29 cm. + hbk.ISBN: 0262193043.Subject(s): Body image -- History -- 18th century | Anatomy, Artistic -- History -- 18th century | Medicine and art -- History -- 18th century | EnlightenmentDDC classification: 617.5
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 617.5 (Browse shelf(Opens below)) 1 Available 00059905
Total holds: 0

Enhanced descriptions from Syndetics:

Body Criticism is a celebration of visual culture as well as a contribution to our understanding of the history of the human body. At its core is an exploration of the innovative strategies developed in the 18th century for making visible the unseeable aspects of the world. In the process it uncovers and analyzes the persistence of a set of body metaphors deriving from both aesthetic and medical practices.

Includes bibliographical references and index.

Reviews provided by Syndetics

Library Journal Review

see Helfand, William H. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

CHOICE Review

This is a rightly self-proclaimed seminal work which the author sees as ". . .a summons to create a new visual discipline or hybrid imaging art-science for the future." Its ultimate aim is to help ". . .rejoin the. . .aspects of a humanistic education with the multiple practical realities of a responsible public policy." Stafford discusses medical and artistic perceptions of the human body since the Enlightenment, focusing on anatomical illustration. She discusses some crucial paradoxes that persist to the present day. Stafford's research and readings have been truly prodigious as she combines interrelations derived from classic literature and art with the pioneering graphic theories of Edward R. Tufte (The Visual Display of Quantitative Information, CH, Nov'83, and Envisioning Information, CH, Nov'90) and other frontline theorists. Well illustrated in the Tufte style, the work attempts a seamless interrelationship between graphics and text. Difficult, thought-provoking reading, its audience is graduate students and faculty. Its eventual influence could be as significant as the author foresees.-I. Richman, Pennsylvania State University, Harrisburg

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