MTU Cork Library Catalogue

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The open eye in learning : the role of art in general education / Richard Bassett.

By: Bassett, Richard.
Contributor(s): Special Committee on the Study of Art (U.S.).
Material type: materialTypeLabelBookPublisher: Cambridge, Mass. : MIT, 1969Description: vii, 216 p :. ill.(pt. col.).ISBN: 026252032X.Subject(s): Art -- Study and teaching | Art in education | Art and societyDDC classification: 372.5
Holdings
Item type Current library Call number Copy number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 372.5 (Browse shelf(Opens below)) 1 Available 00054024
Total holds: 0

Enhanced descriptions from Syndetics:

An examination of art education in secondary schools and colleges, asking what kinds of courses best fulfill educational and personal needs.

The contributors to this volume are primarily concerned not with building an argument regarding "eye-training" but with the question "What kinds of art courses are necessary to fulfill the objectives of general education and also satisfy a complex set of personal needs?"

The book contains numerous and significant illustrations on all levels of achievement in art and an extensive bibliography.

Undertaken as the report of a Special Committee on the Study of Art, appointed by the Executive Committee of the National Association of Independent Schools."

Bibliography: p. [205]-209

Table of contents provided by Syndetics

  • Foreword (p. vii)
  • 1 Art and the Educated Citizen (p. 1)
  • 2 Art and the Human Equipment (p. 13)
  • 3 The Educational Scheme (p. 30)
  • 4 The Art Course in Practice: Elementary Art (p. 56)
  • 5 The Deliberate Approach: Secondary School Art (p. 77)
  • 6 Maturity on Trial: Art in College (p. 98)
  • 7 Curricular Planning (p. 118)
  • 8 The Whole Man and the Citizen (p. 148)
  • Teaching Supplement (p. 153)
  • The Training of Art Teachers (p. 201)
  • Bibliography (p. 205)
  • Index (p. 211)
  • Plan for Specific Courses:
  • The Studio Course (p. 123)
  • The Historical and Critical Course (p. 139)
  • Alternative Studio Course (p. 184)

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