Enhanced descriptions from Syndetics:

This biography tells the story of Hazel Lavery, one of London's most influential and beautiful women in the 1920s, a popular society hostess and fervent supporter of Ireland's independence. It details her birth into a wealthy Chicago family, her study of art and her marriage to the artist John Lavery, 24 years her senior. It goes on to examine the Laverys' life in London, where they became popular and entertained many celebrated figures, including Asquith, Bernard Shaw, Churchill, T.P. O'Connor, Beresford, and Shane Leslie, and later by Ramsey MacDonald and Evelyn Waugh. The work chronicles Hazel's assistance of the Irish national cause, using her house in London to play informal host to the Anglo-Irish Conference (1921). By the time of Hazel's death in 1935, the diplomatic links which she had fought to establish had been dismantled by de Valera, and she died believing her life had been utterly without purpose. This biography reveals the restless life of Hazel Lavery to be a pioneering one, drawing on interviews with her acquaintances and her daughter, Alice, and a cache of private correspondence and scrapbooks.

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Kirkus Book Review

A Dubin-based historical researcher rights a historical wrong by revealing Lady Hazel Lavery as more than just a pretty face commemorated on Irish banknotes and in more than 400 paintings by her famous husband, John Lavery. Hazel Martyn Lavery may have been dubbed ``The Most Beautiful Girl in the Midwest'' in her boarding school days, but by the time she died in 1935 she had influenced some of Ireland's most important revolutionary leaders--notably Michael Collins and Kevin O'Higgins--and thus the direction of the freedom movement itself. She also counted among her many friends people such as Winston Churchill, George Bernard Shaw, and J.M. Barrie. McCoole ably traces this transformation from transplanted American to self-appointed Irish ambassador. Using previously unpublished documents and other sources, McCoole breaks new ground in her portrayal of a woman struggling to find her place in a world where women's roles were restricted (she suffered two nervous breakdowns). She takes us through Lady Lavery's unhappy first marriage, her second marriage to Lavery and her evolving role as vital social diplomat. At their London home she and Lavery hosted meetings between key British and Irish leaders and produced an artistic record of the Irish struggle via Lavery's paintings. An inveterate flirt, Lady Lavery was not just intellectually involved with her Irish friends. Although it is not absolutely certain she and Collins were lovers, McCoole leaves little doubt of their emotional passion. When he died she took up a similar relationship with O'Higgins, who was also assassinated. Part love story, part sociological/historical analysis, this is a thorough mini-history of Ireland's fight for freedom and a tantalizing portrait of a woman who was at once determined and vulnerable, talented and yet unsure. (24 color and b&w photos)