MTU Cork Library Catalogue

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Pierre Bonnard : the colour of memory : the CC Land exhibition / Matthew Gale, Evelyn Benesch, Véronique Serrano, Line Clausen Pedersen, Juliette Rizzi, Helen O'Malley.

Contributor(s): Gale, Matthew [editor, author] | Benesch, Evelyn [author] | Serrano, Véronique [author] | Pedersen, Line Clausen [author] | Rizzi, Juliette [author] | Bonnard, Pierre, 1867-1947 [artist] | Tate Modern (Gallery) [host institution, organizer] | Ny Carlsberg glyptotek [host institution] | Kunstforum Wien [host institution].
Material type: materialTypeLabelBookPublisher: London : Tate, 2019Copyright date: ©2019Description: 240 pages : illustrations (chiefly colour), portraits, facsimiles ; 27 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781849766173 (hardback); 1849766177 (hardback); 9781849766166 (paperback); 1849766169 (paperback).Other title: CC Land exhibition : Pierre Bonnard : the colour of memory | Colour of memory.Subject(s): Bonnard, Pierre, 1867-1947. -- Exhibitions | Painting, French -- 19th century -- Exhibitions | Painting, French -- 20th century -- Exhibitions | Nabis (Group of artists) -- Exhibitions | Post-impressionism (Art) -- France -- ExhibitionsDDC classification: 759.4 BON
Contents:
Pierre Bonnard: suspended in mid-air / Matthew Gale -- Bonnard through the mirror / Evelyn Benesch -- He who sings is not always happy / Véronique Serrano -- Painting applied: The dining room, Vernon / Lina Clausen Pedersen -- A mobile vision: Bonnard's diaries and photographs / Juliette Rizzi -- Coda: Bonnard's time / Matthe Gale -- The works -- For and against Bonnard / [compiled by] Helen O'Malley.
Summary: Pierre Bonnard (1867-1947) was one of a generation of artists that helped transform painting during the first half of the twentieth century. As a painter, he preferred to work from memory - imaginatively capturing the spirit of a moment and expressing it through his unique handling of colour and unconventional choice of composition. Focusing on Bonnard's work from 1912-47, this book presents a variety of landscapes and intimate domestic scenes which capture the passage of time. These works are the artist's memories creatively reconstructed to convey a sense of sensuality or melancholy. As well as looking at his processes, his reliance on photography and his ability to work on different subjects side-by-side, this book relocates Bonnard in the turbulent history of his times. Although modest and withdrawn, he was a subtle witness to events - both in the wider world and his more intimate circle - that can be seen to define the ways in which he thought about and made his very personal art. Channelling to the heart of Bonnard's position as an artist who maintained continuities with the past while developing an individual expression of his engagement with the world, this sumptuously illustrated book reveals Bonnard's transition from great colourist to Modernist master, and emphasises his place within the story of twentieth-century art.
Holdings
Item type Current library Call number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 759.4 BON (Browse shelf(Opens below)) Available 00231109
Total holds: 0

Published on the occasion of an exhibition held at the Eyal Ofer Galleries, Tate Modern, London, 23 January - 6 May 2019; at Ny Carlsberg Glyptotek, Copenhagen, 6 June - 22 September 2019; and at Bank Austria Kunstforum, Vienna, 10 October 2019 - 12 January 2020.

Includes bibliographical references (page 219) and index.

Pierre Bonnard: suspended in mid-air / Matthew Gale -- Bonnard through the mirror / Evelyn Benesch -- He who sings is not always happy / Véronique Serrano -- Painting applied: The dining room, Vernon / Lina Clausen Pedersen -- A mobile vision: Bonnard's diaries and photographs / Juliette Rizzi -- Coda: Bonnard's time / Matthe Gale -- The works -- For and against Bonnard / [compiled by] Helen O'Malley.

Pierre Bonnard (1867-1947) was one of a generation of artists that helped transform painting during the first half of the twentieth century. As a painter, he preferred to work from memory - imaginatively capturing the spirit of a moment and expressing it through his unique handling of colour and unconventional choice of composition. Focusing on Bonnard's work from 1912-47, this book presents a variety of landscapes and intimate domestic scenes which capture the passage of time. These works are the artist's memories creatively reconstructed to convey a sense of sensuality or melancholy. As well as looking at his processes, his reliance on photography and his ability to work on different subjects side-by-side, this book relocates Bonnard in the turbulent history of his times. Although modest and withdrawn, he was a subtle witness to events - both in the wider world and his more intimate circle - that can be seen to define the ways in which he thought about and made his very personal art. Channelling to the heart of Bonnard's position as an artist who maintained continuities with the past while developing an individual expression of his engagement with the world, this sumptuously illustrated book reveals Bonnard's transition from great colourist to Modernist master, and emphasises his place within the story of twentieth-century art.

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