Michael Asher / edited by Jennifer King ; essays and interviews by Barbara Munger, Sandy Ballatore, Benjamin H.D. Buchloh, Michael Asher, Anne Rorimer, Birgit Pelzer, Allan Sekula, Stephen Pascher, Jennifer King, and Miwon Kwon.
Contributor(s): King, Jennifer [editor]
| Ballatore, Sandy [contributor] | Buchloh, B. H. D [contributor] | Asher, Michael [contributor] | Rorimer, Anne [contributor] | Pelzer, Birgit [contributor] | Kwon, Miwon [contributor] | Sekula, Allan [contributor].
Material type: 
BookSeries: October files: 19.Publisher: Cambridge, Massachusetts : The MIT Press, [2016]Copyright date: ©2016Description: xi, 181 : illustrations ; 23 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780262528795 (paperback); 0262528797 (paperback); 9780262034302 (hardback); 0262034301 (hardback).Subject(s): Asher, Michael | Asher, Michael -- InterviewsDDC classification: 709.2 ASH | Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Lending | 709.2 ASH (Browse shelf(Opens below)) | Available | 00231092 |
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| 709.2 ARA The mechanism of meaning : work in progress (1963-1971, 1978) based on the method of Arakawa / | 709.2 ARP On my way : poetry and essays, 1912-1947. | 709.2 ARP Arp : painter, poet, sculptor / | 709.2 ASH Michael Asher / | 709.2 ATH Kevin Atherton : auto-interview / | 709.2 ATH Kevin Atherton : auto-interview / | 709.2 ATH Kevin Atherton : auto-interview / |
Enhanced descriptions from Syndetics:
Essays and criticism that span Michael Asher's career, documenting site-specific installations and institutional interventions. During a career that spanned more than forty years, from the late 1960s until his death in 2012, Michael Asher created site-specific installations and institutional interventions that examined the conditions of art's production, display, and reception. At the Art Institute of Chicago, for example, he famously relocated a bronze replica of an eighteenth-century sculpture of George Washington from the museum's entrance to an interior gallery, thereby highlighting the disjunction between the statue's symbolic function as a public monument and its aesthetic origins as an artwork.
Today, Asher is celebrated as one of the forerunners of institutional critique. Yet because of Asher's situation-based method of working, and his resistance to making objects that could circulate in the art market, few of his works survive in physical form. What does survive is writing by scholars and critics about his diverse practice. The essays in this volume document projects that range from Asher's environmental works and museum displacements to his research-based presentations and reflections on urban space.
Contributors
Michael Asher, Sandy Ballatore, Benjamin H. D. Buchloh, Jennifer King, Miwon Kwon, Barbara Munger, Stephan Pascher, Birgit Pelzer, Anne Rorimer, Allan Sekula
Includes bibliographical references and index.
Michael Asher : an environmental project (1970) / Barbara Munger -- Michael Asher : less is enough (1974) / Sandy Ballatore -- Context, function, use value : Michael Asher's re-materialization of the artwork (1980) / Benjamin H.D. Buchloh -- Los Angeles Institute of Contemporary Art, January 15-February 10, 1977 (1983) / Michael Asher -- Michael Asher and the conclusion of modernist sculpture (1983) / Benjamin H.D. Buchloh -- Michael Asher at the Renaissance Society (1990) / Anne Rorimer -- The insistent detail (1991) / Birgit Pelzer -- Michael Asher, down to earth (2000) / Allan Sekula -- Interview with Michael Asher on the occasion of The museum as muse : artists reflect at the Museum of Modern Art, New York (1999) / Stephan Pascher -- Perpetually out of place : Michael Asher and Jean-Antoine Houdon at the Art Institute of Chicago (2007) / Jennifer King -- Support and decoration : Michael Asher's critique of the architecture of display (2008) / Miwon Kwon -- Approaching architecture: the case of Michael Asher (2009) / Miwon Kwon.
"During a career that spanned more than forty years, from the late 1960s until his death in 2012, Michael Asher created site-specific installations and institutional interventions that examined the conditions of art's production, display, and reception. At the Art Institute of Chicago, for example, he famously relocated a bronze replica of an eighteenth-century sculpture of George Washington from the museum's entrance to an interior gallery, thereby highlighting the disjunction between the statue's symbolic function as a public monument and its aesthetic origins as an artwork. Today, Asher is celebrated as one of the forerunners of institutional critique. Yet because of Asher's situation-based method of working, and his resistance to making objects that could circulate in the art market, few of his works survive in physical form. What does survive is writing by scholars and critics about his diverse practice. The essays in this volume document projects that range from Asher's environmental works and museum displacements to his research-based presentations and reflections on urban space." - Back cover.
Table of contents provided by Syndetics
- Series Preface (p. vii)
- Acknowledgments (p. ix)
- Michael Asher: An Environmental Project (1970) (p. 1)
- Michael Asher: Less Is Enough (1974) (p. 7)
- Context-Function-Use Value: Michael Asher's Re-Materialization of the Artwork (1980) (p. 11)
- Los Angeles Institute of Contemporary Art, January 15-February 10, 1977 (1983) (p. 43)
- Michael Asher and the Conclusion of Modernist Sculpture (1983) (p. 55)
- Michael Asher at the Renaissance Society (1990 (p. 81)
- The insistent Detail (1991) (p. 97)
- Michael Asher-Down to Earth (2000) (p. 119)
- Interview with Michael Asher on the Occasion of The Museum as Muse: Artists Reflect at the Museum of Modern Art, New York (1999) (p. 129)
- Perpetually Out of Place: Michael Asher and Jean-Antoine Houdon at the Art Institute of Chicago (2007) (p. 141)
- Support and Decoration: Michael Asher's Critique of the Architecture of Display (2008) (p. 159)
- Approaching Architecture: The Case of Michael Asher (2009) (p. 169)
- Index of Names (p. 179)