Cinema I : the movement-image / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam.
By: Deleuze, Gilles [author]
.
Contributor(s): Tomlinson, Hugh [translator] | Habberjam, Barbara [translator].
Material type: 
BookSeries: Bloomsbury revelations: Publisher: London : Bloomsbury Academic, 2018Copyright date: ©1986Edition: Paperback edition.Description: xix, 278 pages : illustrations ; 22 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781472508300 (paperback).Uniform titles: Image-mouvement. English Subject(s): Motion pictures -- PhilosophyDDC classification: 791.4301 | Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Lending | 791.4301 (Browse shelf(Opens below)) | Available | 00230991 |
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Enhanced descriptions from Syndetics:
Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus . Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II , also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
"English translation first published in 1986 by The Athlone Press"--T.p. verso.
Includes bibliographical references (pages [243]-270) and index.
Machine generated contents note: -- Preface to the English edition \ Translators' Introduction \Preface to the French Edition \ 1. Theses on Movement: First Commentary onBergson \ 2. Frame and Short, Framing and Cutting \ 3. Montage \ 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson \ 5. ThePerception-Image \ 6. The Affection-Image Face and Close-Up \ 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers \ 8. From Affect toAction: The Impulse Image \ 9. The Action-Image: The Large Form \ 10. The Action-Image:The Small Form \ 11. Figures, or the Transformation of Forms \ 12. The Crisisof the Action-Image \ Glossary \ Notes \ Index.
"The first volume of Gilles Deleuze's landmark philosophical study of the art of film, now available in the Bloomsbury Revelations series." -- Publisher's description.