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Kevin Atherton : auto-interview / edited & designed by Paul McAree.

By: Atherton, Kevin [author.].
Contributor(s): McAree, Paul [editor, designer] | Arts Council of Ireland.
Material type: materialTypeLabelBookPublisher: Dublin : FLOOD, 2012Copyright date: ©2012Description: 91 pages : illustrations ; 20 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9781470995065 (paperback).Subject(s): Atherton, KevinDDC classification: 709.2 ATH Summary: "FLOOD is delighted to announce the publication of Kevin Atherton’s Auto-Interview, extending a lifelong series of work where the artist has interviewed himself on video. Auto-Interview is interesting on many levels, as a means of asking who is doing what in the business of encountering and interpreting an artwork, but also from an historical point of view – the interview provides an ideal opportunity to look back into the beginnings of key practices, such as video art, new media, work on television, etc. The interview is also about an artist being, or at least trying to be, brutally honest about their own practice, its relevance, context and meaning, and if indeed it should be any of these things." - publisher's website.
Holdings
Item type Current library Call number Status Date due Barcode Item holds
General Lending MTU Crawford College of Art and Design Library Lending 709.2 ATH (Browse shelf(Opens below)) Available 00231644
General Lending MTU Crawford College of Art and Design Library Lending 709.2 ATH (Browse shelf(Opens below)) Available 00230594
General Lending MTU Crawford College of Art and Design Library Lending 709.2 ATH (Browse shelf(Opens below)) Available 00231686
Total holds: 0

Includes bibliographical references.

"FLOOD is delighted to announce the publication of Kevin Atherton’s Auto-Interview, extending a lifelong series of work where the artist has interviewed himself on video. Auto-Interview is interesting on many levels, as a means of asking who is doing what in the business of encountering and interpreting an artwork, but also from an historical point of view – the interview provides an ideal opportunity to look back into the beginnings of key practices, such as video art, new media, work on television, etc. The interview is also about an artist being, or at least trying to be, brutally honest about their own practice, its relevance, context and meaning, and if indeed it should be any of these things." - publisher's website.

Donated by E Maxwell.

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