Feeling photography / Elspeth H. Brown and Thy Phu, editors.
Contributor(s): Brown, Elspeth H [editor]
| Phu, Thy [editor].
Material type: 
BookPublisher: Durham : Duke University Press, 2014Description: viii, 397 pages, [16] pages of plates : illustrations (some color) ; 23 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 9780822355410 (paperback); 9780822355267 (hardback).Subject(s): Photography -- Social aspects | Emotions in art | Visual communication in artDDC classification: 770 | Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| General Lending | MTU Crawford College of Art and Design Library Lending | 770 (Browse shelf(Opens below)) | 1 | Checked out | 29/03/2024 | 00230033 |
Enhanced descriptions from Syndetics:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn--intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss--run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.
Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor
Includes bibliographical references and index.
Photography between desire and grief : Roland Barthes and F. Holland Day / Shawn Michelle Smith -- Making sexuality sensible : Tammy Rae Carland's and Catherine Opie's queer aesthetic forms / Dana Seitler -- Sepia mutiny : colonial photography and its others in India / Christopher Pinney -- Skin, flesh, and the affective wrinkles of civil rights photography / Elizabeth Abel -- Looking pleasant, feeling white : the social politics of the photographic smile / Tanya Sheehan -- Anticipating citizenship : Chinese head tax photographs / Lily Cho -- Regarding the pain of the other : photography, famine, and the transference of affect / Kimberly Juanita Brown -- Accessible feelings, modern looks : Irene Castle, Ira L. Hill, and Broadway's affective economy / Marlis Schweitzer -- Trauma in the archive / Diana Taylor -- School photos and their afterlives / Marianne Hirsch and Leo Spitzer -- Photographing objects as queer archival practice / Ann Cvetkovich -- Topographies of feeling: on Catherine Opie's American football landscapes / Lisa Cartwright -- The feeling of photography, the feeling of kinship / David L. Eng.
Author notes provided by Syndetics
Elspeth H. Brown is Associate Professor of History at the University of Toronto. She is the author of The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884-1929 .Thy Phu is Associate Professor of English at Western University in London, Ontario. She is the author of Picturing Model Citizens: Civility in Asian American Visual Culture .