Musicology : the key concepts / David Beard and Kenneth Gloag.
By: Beard, David
.
Contributor(s): Gloag, Kenneth.
Material type: 
BookSeries: Routledge key guides: Publisher: London ; New York : Routledge, 2005Description: xiv, 239 pages ; 23 cm.Content type: text Media type: unmediated Carrier type: volumeISBN: 0415316936 (hardback); 9780415316934 (hardback); 0415316928 (paperback); 9780415316927 (paperback).Subject(s): MusicologyAdditional physical formats: Electronic version ::: Musicology : the key conceptsDDC classification: 780.72 Also available in print form. | Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| General Lending | MTU Cork School of Music Library Lending | 780.72 (Browse shelf(Opens below)) | 1 | Available | 00166495 |
Browsing MTU Cork School of Music Library shelves, Shelving location: Lending Close shelf browser (Hides shelf browser)
Enhanced descriptions from Syndetics:
Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including:
- aesthetics
- canon
- culture
- deconstruction
- ethnicity
- identity
- subjectivity
- value
- work
Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music.
Includes bibliographical references (pages 193-222) and indexes.
Absolute -- Aesthetics -- Alterity -- Analysis -- Authenticity -- Autonomy -- Avant-garde -- Biography (life and work) -- Body -- Canon -- Class -- Cover version -- Critical musicology -- Critical theory -- Criticism -- Cultural studies -- Cultural theory -- Culture -- Culture industry -- Deconstruction -- Diegetic/nondiegetic -- Discourse -- Enlightenment -- Ethnicity -- Ethnomusicology -- Expressionism -- Feminism -- Form -- Formalism -- Gay musicology -- Gender -- Genius -- Genre -- Globalization -- Hermeneutics -- Historical musicology -- Historicism -- Historiography -- History -- Hybridity -- Identity -- Ideology -- Influence -- Interpretation -- Intertextuality -- Jazz -- Landscape -- Language -- Literary theory -- Marxism -- Meaning -- Metaphor -- Modernism -- Music/musicology introduction -- Narrative -- Nationalism -- Neoclassicism -- New musicology -- Organicism -- Orientalism -- Performance -- Periodization -- Place -- Politics -- Popular music -- Postivism -- Post-colonial/postcolonialism -- Postmodernism -- Post-structuralism -- Psychology -- Race -- Reception -- Recording -- Renaissance -- Rhetoric -- Romanticism -- Semiotics -- Serialism -- Sexuality -- Sketch -- Structuralism -- Style -- Subjectivity -- Subject position -- Sublime -- Theory -- Tradition -- Value -- Work.
"Musicology: The Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms, including: aesthetics; canon; culture; deconstruction; ethnicity; identity; subjectivity; value; and work. Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music."--BOOK JACKET.
Also available in print form.
Table of contents provided by Syndetics
- List of Key Concepts (p. vi)
- Acknowledgements (p. viii)
- Note on the text (p. ix)
- Introduction (p. x)
- Key Concepts (p. 1)
- Bibliography (p. 193)
- Name index (p. 223)
- Subject index (p. 231)