Kitsch! : cultural politics and taste / Ruth Holliday and Tracey Potts.
By: Holliday, Ruth
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Contributor(s): Potts, Tracey
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Material type: ![materialTypeLabel](/opac-tmpl/lib/famfamfam/BK.png)
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Item type | Current library | Call number | Copy number | Status | Date due | Barcode | Item holds |
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General Lending | MTU Crawford College of Art and Design Library Lending | 709.04013 (Browse shelf(Opens below)) | 1 | Available | 00195903 |
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709.04012 Art deco / | 709.04012 Art deco style / | 709.04012 The spirit and splendour of art deco / | 709.04013 Kitsch! : cultural politics and taste / | 709.04025 The intangibilities of form : skill and deskilling in art after the readymade / | 709.04025 The intangibilities of form : skill and deskilling in art after the readymade / | 709.0403 Cubism, futurism and constructivism. |
Enhanced descriptions from Syndetics:
From bottle gardens, the bachelor pad and Batman to designer gnomes and monogamy spray, this book uses a diverse range of objects to explore the changing significance of kitsch. With its unique approach to its subject, Kitsch! Cultural politics and taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students and interested readers.
Kitsch! examines how the idea of kitsch is mobilised - progressively, as bad taste, as camp and as cool - to inform notions of identity and sensibility. Where most studies proceed from the kitsch object, this book takes the moment of aesthetic judgement as its starting point and attempts to identify the ideological work performed by the category itself. The book poses the strongest challenge to those who argue that taste is democratised in contemporary culture, offering ample evidence that judgements of taste have shifted ground rather than relaxed.
Above all, the story of kitsch proposed by the authors is intended to disturb kitsch's reputation as the source of a ready-made sensibility and politics. Kitsch has a history and not, as it has been supposed, an essence and is consequently the site of love, hate, joy, exasperation, irony, nausea and all of the twisted possibilities between.
Includes bibliographical references (p. 247-260) and index.
1. Introduction -- 2. Kitsch taste -- 3. Kitsch-man -- 4. Camp kitsch -- 5. Cool kitsch -- 6. Disaster kitsch -- 7. Conclusion.
This book explores the changing significance of kitsch. With its unique approach to its subject, Kitsch!: Cultural Politics and Taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students.
Table of contents provided by Syndetics
- List of figures (p. ix)
- List of colour plates (p. xi)
- Acknowledgements (p. xiii)
- 1 Introduction (p. 1)
- 2 Kitsch taste (p. 45)
- 3 Kitsch-man (p. 82)
- 4 Camp kitsch (p. 115)
- 5 Cool kitsch (p. 154)
- 6 Disaster kitsch (p. 195)
- 7 Conclusion (p. 237)
- Bibliography (p. 247)
- Index (p. 261)
Author notes provided by Syndetics
Ruth Holliday is Professor of Gender and Culture in the Centre for Interdisciplinary Gender Studies at the University of LeedsTracey Potts is Lecturer in Critical Theory and Cultural Studies at the University of Nottingham