MARC details
| 000 -LEADER |
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| fixed length control field |
03764cam a2200433 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocn668194693 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20210918062542.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
120313s2012 nyua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2012010607 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781844676903 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1844676900 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781844677962 (ebook) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1844677966 (ebook) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781844677962 (ebook) |
| 029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC) |
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| OCLC library identifier |
V69393 |
| 029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC) |
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| OCLC library identifier |
V69470 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)668194693 |
| Canceled/invalid control number |
(OCoLC)804039298 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
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BTCTA |
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YDXCP |
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ERASA |
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UKMGB |
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BDX |
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YNK |
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CIA |
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OCLCO |
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BWX |
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COO |
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STF |
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MZA |
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CDX |
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GZM |
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ALAUL |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.0407 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Bishop, Claire. |
| 9 (RLIN) |
78960 |
| 245 10 - TITLE STATEMENT |
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| Title |
Artificial hells : |
| Remainder of title |
participatory art and the politics of spectatorship / |
| Statement of responsibility, etc. |
Claire Bishop. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Verso Books, |
| Date of publication, distribution, etc. |
2012. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
382 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 287-363) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The social turn: collaboration and its discontents --- Artificial hells: the historic avant-garde --- Je participe, tu participes, il participe --- Social sadism made explicit --- The social under socialism --- Incidental people: APG and community arts --- Former West: art as project in the early 1990s --- Delegated performance: outsourcing authenticity --- Pedagogic projects: \'how do you bring a classroom to life as if it were a work of art?\' --- Conclusion: spectacle and participation. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as social practice. Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism. -- Back cover. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Interactive art |
| 9 (RLIN) |
33552 |
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131010 |
| Cataloger's initials, CIN (RLIN) |
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- |
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eng |
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nyu |
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