MARC details
| 000 -LEADER |
|---|
| fixed length control field |
04364 am a2200577 a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
ocm00039945 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
970805 1990 000 eng |
| 040 ## - CATALOGING SOURCE |
|---|
| Modifying agency |
OCoLC |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
CCAD VIDEO 011 |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Art of the Western World |
| Medium |
[videorecording] / |
| Statement of responsibility, etc. |
WNET/Thirteen in association with TVS Education, Norwich Union and Channel 4. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Southampton : |
| Name of publisher, distributor, etc. |
TVS Education, |
| Date of publication, distribution, etc. |
1990. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 videocassette (156 mins) : |
| Other physical details |
sd. col. ; |
| Dimensions |
1/2 in. |
| 490 #0 - SERIES STATEMENT |
|---|
| Series statement |
Art of the Western world (Television program) |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Video contains programmes 13-18 |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Painting the modern world -- Distanced creations -- Between genius and the abyss -- Between genius and the crisis -- The aftermath -- New, newer, newest. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A fresh View Impressionism and Post-Impressionism Part I: Courbet and his followers rejected the standard academic themes and techniques, Manet shocked Paris, and Impressionists represented the world bathed in color and changing light. Part II: Post-Impressionists Seurat, Van Gogh, Gauguin, and Cézanne broke new ground with daring and imaginative use of color and approaches to form. Into the Twentieth Century Part I: With modernity came new energy and forms in Viennese building and painting. Paris saw the emergence of the Fauves, and of Picasso and Cubism. Kandinsky and others experimented with color abstraction. Part II: Modernism spawned not only Cubism, but also the abstract and the surreal. Le Corbusier and Wright applied the abstract principles to buildings. Dada responded to the devastation of WWI with nihilism; surrealists Dali, Magritte, and Miro showed Freudian influence. In Our Own Time Part I: The Abstract Expressionist movement established New York as a center for the visual arts. Works by Pollock, Warhol, Lichtenstein, and the sculptor Oldenburg are examined. Part II: With many of the rules tested and discarded, the art world has become international. Art is now accessible to everyone to create and appreciate. Host Michael Wood looks over the past and forward to implications for the future. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE |
|---|
| Creation/production credits note |
Mick Gold, director and producer ; executive producer Perry Miller Adato ; art historians James S. Akerman ; Richard Brilliant ; Linda Nochlin ; Leo Steinberg ... et al. |
| 511 1# - PARTICIPANT OR PERFORMER NOTE |
|---|
| Participant or performer note |
Hosted by Michael Wood and John White. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
This is an excellent series, covering the main art movements of Europe; it begins with the Greeks and Romans, moves through the medieval development and on to the Renaissance. The material on the modern movements is just as authoritative. Magnificent masterpieces of the Western world are presented in their cultural and historical settings. From the restrained classical tradition to energetic and spontaneous modern art, each artistic movement is interpreted through its major paintings, sculptures, and works of architecture. Comments from internationally known art experts and critics assist in understanding and appreciation of the works. |
| 538 ## - SYSTEM DETAILS NOTE |
|---|
| System details note |
VHS |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| General subdivision |
History |
| 9 (RLIN) |
34094 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Impressionism (Art) |
| Geographic subdivision |
France. |
| 9 (RLIN) |
74637 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Realism in art. |
| 9 (RLIN) |
41831 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Post-impressionism (Art) |
| Geographic subdivision |
France. |
| 9 (RLIN) |
113280 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Surrealism. |
| 9 (RLIN) |
43089 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
20th century |
| 9 (RLIN) |
34162 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Wood, Michael, |
| Dates associated with a name |
1948- |
| Relator term |
presenter. |
| 9 (RLIN) |
75830 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
White, John, |
| Dates associated with a name |
1924 October 4- |
| Relator term |
presenter. |
| 9 (RLIN) |
71165 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Adato, Perry Miller. |
| Relator term |
executive producer. |
| 9 (RLIN) |
75836 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Gold, Mick, |
| Dates associated with a name |
1947- |
| Relator term |
production and direction. |
| 9 (RLIN) |
75844 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ackerman, James S. |
| 9 (RLIN) |
1745 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Brilliant, Richard. |
| 9 (RLIN) |
75853 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Nochlin, Linda. |
| 9 (RLIN) |
17895 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Steinberg, Leo, |
| Dates associated with a name |
1920-2011. |
| 9 (RLIN) |
71856 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
TVS (Firm : Great Britain) |
| 9 (RLIN) |
75831 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
WNET (Television station : New York, N.Y.) |
| 9 (RLIN) |
75840 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Norwich Union (Firm) |
| 9 (RLIN) |
75834 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Channel Four (Great Britain) |
| 9 (RLIN) |
70085 |
| 740 0# - ADDED ENTRY--UNCONTROLLED RELATED/ANALYTICAL TITLE |
|---|
| Uncontrolled related/analytical title |
Painting the modern world |
| 740 0# - ADDED ENTRY--UNCONTROLLED RELATED/ANALYTICAL TITLE |
|---|
| Uncontrolled related/analytical title |
Distanced creations |
| 740 0# - ADDED ENTRY--UNCONTROLLED RELATED/ANALYTICAL TITLE |
|---|
| Uncontrolled related/analytical title |
Between genius and the abyss |
| 740 0# - ADDED ENTRY--UNCONTROLLED RELATED/ANALYTICAL TITLE |
|---|
| Uncontrolled related/analytical title |
Between genius and the crisis |
| 740 4# - ADDED ENTRY--UNCONTROLLED RELATED/ANALYTICAL TITLE |
|---|
| Uncontrolled related/analytical title |
The aftermath |
| 740 0# - ADDED ENTRY--UNCONTROLLED RELATED/ANALYTICAL TITLE |
|---|
| Uncontrolled related/analytical title |
New, newer, newest. |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
|---|
| a |
.b10444087 |
| b |
150122 |
| c |
011117 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Suppress in OPAC |
0 |
| 969 00 - LOCAL CODES |
|---|
| a |
39945 |
| 979 00 - LOCAL CODES |
|---|
| a |
FM |
| b |
05 AUG 1997 |
| 989 00 - LOCAL CODES |
|---|
| a |
FM |
| b |
30 NOV 1999 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| a |
a |
| Operator's initials, OID (RLIN) |
011115 |
| Cataloger's initials, CIN (RLIN) |
a |
| First Date, FD (RLIN) |
v |
| Local |
- |
| -- |
eng |
| -- |
enk |
| h |
0 |