MARC details
| 000 -LEADER |
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| fixed length control field |
03725 am a22003857a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocm019284220x |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
IE-CoIT |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190311185052.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
000523 1999 000 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
019284220X |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780192842206 |
| 029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC) |
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| OCLC library identifier |
V61416 |
| 029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC) |
|---|
| OCLC library identifier |
V68543 |
| 029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC) |
|---|
| OCLC library identifier |
V69494 |
| 029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC) |
|---|
| OCLC library identifier |
V69614 |
| 040 ## - CATALOGING SOURCE |
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| Modifying agency |
OCoLC |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.04 BRE |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Brettell, Richard R. |
| 9 (RLIN) |
11383 |
| 245 10 - TITLE STATEMENT |
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| Title |
Modern art 1851-1929 : |
| Remainder of title |
capitalism and representation / |
| Statement of responsibility, etc. |
Richard A. Brettell. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Oxford ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Oxford University Press, |
| Date of publication, distribution, etc. |
1999. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
ix, 258 p. : |
| Other physical details |
ill. (some col.) ; |
| Dimensions |
24 cm. + |
| Accompanying material |
pbk. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Oxford history of art |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and (p. 232-238) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction: The Great Exhibition of 1851, London -- Paris: the capital of modern art -- New technology -- The beginnings of modern art -- Realism to Surrealism -- Realism -- Impressionism -- Symbolism -- Post-Impressionism -- Neo-Impressionism -- Synthetism -- The Nabis -- The Fauves -- Expressionism -- Cubism -- Futurism -- Orphism -- Vorticism -- Suprematism/Constructivism -- Neo-Plasticism -- Dada -- Purism -- Surrealism -- The '-ism' problem -- The Conditions for Modern Art -- Urban Capitalism -- Paris and the birth of the modern city -- Capitalist society -- The commodification of art -- The modern condition -- Modernity, Representation, and the Accessible Image -- The art museum -- Temporary exhibitions -- Lithography -- Photography -- The Artist's Response -- Representation, Vision, and 'Reality': The Art of Seeing -- The human eye -- Transparency and unmediated modernism -- Surface fetishism and unmediated modernism -- Photography and unmediated modernism -- Beyond the oil sketch -- Cubism -- Image/Modernism and the Graphic Traffic -- The Pre-Raphaelite brotherhood -- Puvis de Chavannes and Gustave Moreau: image/modernism outside the avant-garde -- Image/modernism outside France -- Exhibitions of the avant-garde -- Fragmentation, dislocation, and recombination -- Iconology -- Sexuality and the Body -- Manet's bodies -- Modern art and pornography -- The nude and the modernist cycle of life -- The bathing nude -- The allegorical or non-sexual nude -- Colonialism and the nude: the troubled case of Gauguin. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
The period 1851 to 1929 witnessed the rise of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. It was also a time of rapid social, economic, and political change, encompassing a revolution in communication systems and technology, and an unprecedented growth in the availability of printed images. Richard Brettell's innovative account explores the aims and achievements -- the beautiful and the bizarre -- of artists such as Monet, Gauguin, Picasso, and Dali, in relation to urban capitalism and expansion, colonialism, nationalism and internationalism, and the museum. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media he presents a fresh approach to the fine art and photography of this remarkable era. -- Back cover. |
| 526 0# - STUDY PROGRAM INFORMATION NOTE |
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| Program name |
CIT Module ARTS 6001 - |
| Reading level |
Core reading. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
19th century |
| Geographic subdivision |
Europe. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, European |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
44826 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Oxford history of art |
| 9 (RLIN) |
31179 |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
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| a |
.b10283675 |
| b |
170913 |
| c |
011116 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Suppress in OPAC |
0 |
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| 960 ## - PHYSICAL LOCATION (RLIN) |
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| Physical location, PLOC (RLIN) |
a |
| b |
2 |
| c |
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16.00 |
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d500 |
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2014-04-09 |
| n |
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| p |
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| q |
2014-05-09 |
| r |
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50802 |
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| z |
.o10142046 |
| 961 ## - LOCAL CODES |
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| f |
Knowles, Simon |
| l |
a |
| m |
d500 |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
|---|
| a |
a |
| Operator's initials, OID (RLIN) |
011115 |
| Cataloger's initials, CIN (RLIN) |
m |
| First Date, FD (RLIN) |
a |
| Local |
- |
| -- |
eng |
| -- |
enk |
| h |
0 |