MTU Cork Library Catalogue

The pianist's guide to historic improvisation / (Record no. 118456)

MARC details
000 -LEADER
fixed length control field 03719cam a22003858i 4500
003 - CONTROL NUMBER IDENTIFIER
control field IE-CoMTU
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20231115062737.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 191018s2020 nyu b 001 0 eng||
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780190920401 (paperback)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780190920432
029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC)
OCLC library identifier T63652
029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC)
OCLC library identifier T63653
029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC)
OCLC library identifier T63654
029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC)
OCLC library identifier T63655
029 ## - OTHER SYSTEM CONTROL NUMBER (OCLC)
OCLC library identifier T63656
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency DLC
-- IE-CoMTU
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 786.2136
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mortensen, John J.
Relator term author
9 (RLIN) 130485
245 14 - TITLE STATEMENT
Title The pianist's guide to historic improvisation /
Statement of responsibility, etc. John J. Mortensen.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Oxford University Press,
Date of production, publication, distribution, manufacture, or copyright notice [2020]
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2020
300 ## - PHYSICAL DESCRIPTION
Extent ix, 208 pages :
Other physical details music ;
Dimensions 28 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Bibliography: (page 201) and index
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Figuration Prelude -- Toccata -- The rule of the octave -- Diminution -- Variation -- Lyricism -- Suite -- Imitation -- Partimento -- Schemata.
520 ## - SUMMARY, ETC.
Summary, etc. "This book is for pianists who wish to improvise. Many will be experienced performers - perhaps even veteran concert artists - who are nevertheless beginners at improvisation. This contradiction is a reflection of our educational system. Those who attend collegiate music schools spend nearly all time and effort on learning, perfecting, and reciting masterpieces from the standard repertoire. As far as I can remember, no one ever taught or advocated for improvisation during my decade as a student in music schools. Certainly no one ever improvised anything substantial in a concert (except for the jazz musicians, who were, I regret to say, a separate division and generally viewed with complete indifference by the classical community). Nor did any history professor mention that, long ago, improvisation was commonplace and indeed an indispensable skill for much of the daily activity of a working musician. I continue to dedicate a portion of my career to "perfecting and reciting" masterpieces of the repertoire, and teaching my students to do the same. That tradition is dear to me. Still, if I have one regret about my traditional education, it's that it wasn't traditional enough. We have forgotten that in the eighteenth century - those hundred years that form the bedrock of classical music - improvisation was a foundation of music training. Oddly, our discipline has discarded a practice that helped bring it into being. Perhaps it is time to retrieve it from the junk heap of history and give it a good dusting off. I love the legends of the improvisational powers of the masters: Bach creating elaborate fugues on the spot, or Beethoven humiliating Daniel Steibelt by riffing upon and thereby exposing the weakness of the latter's inferior tunes. The stories implied that these abilities were instances of inexplicable genius which we could admire in slack-jawed wonder but never emulate. But that isn't right. Bach could improvise fugues not because he was unique but because almost any properly-trained keyboard player in his day could. Even mediocre talents could improvise mediocre fugues. Bach was exceptionally good at something which pretty much everyone could do at a passable level. They could all do it because it was built into their musical thinking from the very beginning of their training"-- Provided by publisher.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Improvisation (Music)
9 (RLIN) 49438
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Piano
General subdivision Instruction and study
9 (RLIN) 50055
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performance practice (Music)
General subdivision History
Chronological subdivision 18th century
9 (RLIN) 88772
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
a 7
b cbc
c orignew
d 1
e ecip
f 20
g y-gencatlg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type General Lending
--
-- CRON CRON
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Inventory number Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type Public note Total Checkouts Total Renewals Checked out Date last checked out
    Dewey Decimal Classification   Available for Loan MTU Cork School of Music Library MTU Cork School of Music Library Lending 13/05/2022 6 31.95 T63652 786.2136 00197330 13/05/2022 32.12 13/05/2022 General Lending MTU Module MUSC 6013 - Core reading, MTU Module MUSC 6014 - Core reading,        
    Dewey Decimal Classification   Available for Loan MTU Cork School of Music Library MTU Cork School of Music Library Lending 13/05/2022 6 31.95 T63653 786.2136 00197331 13/05/2022 32.12 13/05/2022 General Lending MTU Module MUSC 6013 - Core reading, MTU Module MUSC 6014 - Core reading,        
    Dewey Decimal Classification   Available for Loan MTU Cork School of Music Library MTU Cork School of Music Library Lending 13/05/2022 6 31.95 T63654 786.2136 00197332 13/05/2022 32.12 13/05/2022 General Lending MTU Module MUSC 6013 - Core reading, MTU Module MUSC 6014 - Core reading,        
    Dewey Decimal Classification   Available for Loan MTU Cork School of Music Library MTU Cork School of Music Library Lending 13/05/2022 6 31.95 T63655 786.2136 00197333 17/11/2023 32.12 13/05/2022 General Lending MTU Module MUSC 6013 - Core reading, MTU Module MUSC 6014 - Core reading, 1 3 22/03/2024 17/11/2023
    Dewey Decimal Classification   Available for Loan MTU Cork School of Music Library MTU Cork School of Music Library Lending 13/05/2022 6 31.95 T63656 786.2136 00197334 13/05/2022 32.12 13/05/2022 General Lending MTU Module MUSC 6013 - Core reading, MTU Module MUSC 6014 - Core reading,        

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