Drawing acts: studies in graphic expression and representation /
Rosand, David.
Drawing acts: studies in graphic expression and representation / David Rosand. - xxv, 419 pages : illustrations ; 29 cm
Includes bibliographical references (pages 389-404) and index.
1. Criticism, connoisseurship, and the phenomenology of drawing -- Ancient lines -- The desire of the line -- The phenomenology of drawing -- The physiognomy of the line -- The legacy of connoisseurship -- Beyond connoisseurship -- 2. Disegno: the invention of an art -- Alberti's finding -- invenzioni and invention -- Leonardo's discovery -- The father of the arts -- 3. The handwriting of the self: Leonardo da Vinci -- Inscribing the world -- A generation drawing -- Marginalia -- Remembered lines -- Drawing and knowing -- 4. Raphael and the calligraphy of classicism -- The circling hand -- Inflected circles -- Linear grammar/linear grace -- Connoisseurship of the line -- Penmanship -- 5. Disegni a stampa: the printed line -- The hand and the press -- The line transformed -- The sketched plate -- 6. Michelangelo: the urgent gesture -- Father of the arts -- Drawing for an other -- Making as meaning -- Drawing as prayer – 7. Rembrandt's reach -- The mime of drawing -- The physiology of style -- The body in the landscape – 8. Capriccio: the antic line -- Linear analysis: Hogarth's Serpentine -- Col sporcar si trova: Piranesi's spiral -- Invenzione to Capriccio -- Story Lines of the Tiepolo -- Epilogue: Picasso's Rehearsal.
9781316637524 (paperback)
Alberti, Leon Battista, 1404-1472
Leonardo, da Vinci, 1452-1519
Tiepolo, Giovanni Battista, 1696-1770
Rembrandt Harmenszoon van Rijn, 1606-1669
Michelangelo Buonarroti, 1475-1564
Picasso, Pablo, 1881-1973
Drawing
Drawing--Expertising.
741
Drawing acts: studies in graphic expression and representation / David Rosand. - xxv, 419 pages : illustrations ; 29 cm
Includes bibliographical references (pages 389-404) and index.
1. Criticism, connoisseurship, and the phenomenology of drawing -- Ancient lines -- The desire of the line -- The phenomenology of drawing -- The physiognomy of the line -- The legacy of connoisseurship -- Beyond connoisseurship -- 2. Disegno: the invention of an art -- Alberti's finding -- invenzioni and invention -- Leonardo's discovery -- The father of the arts -- 3. The handwriting of the self: Leonardo da Vinci -- Inscribing the world -- A generation drawing -- Marginalia -- Remembered lines -- Drawing and knowing -- 4. Raphael and the calligraphy of classicism -- The circling hand -- Inflected circles -- Linear grammar/linear grace -- Connoisseurship of the line -- Penmanship -- 5. Disegni a stampa: the printed line -- The hand and the press -- The line transformed -- The sketched plate -- 6. Michelangelo: the urgent gesture -- Father of the arts -- Drawing for an other -- Making as meaning -- Drawing as prayer – 7. Rembrandt's reach -- The mime of drawing -- The physiology of style -- The body in the landscape – 8. Capriccio: the antic line -- Linear analysis: Hogarth's Serpentine -- Col sporcar si trova: Piranesi's spiral -- Invenzione to Capriccio -- Story Lines of the Tiepolo -- Epilogue: Picasso's Rehearsal.
9781316637524 (paperback)
Alberti, Leon Battista, 1404-1472
Leonardo, da Vinci, 1452-1519
Tiepolo, Giovanni Battista, 1696-1770
Rembrandt Harmenszoon van Rijn, 1606-1669
Michelangelo Buonarroti, 1475-1564
Picasso, Pablo, 1881-1973
Drawing
Drawing--Expertising.
741